Every Lady Gaga Song Ranked

72. Eh Eh (Nothing Else I Can Say) – [The Fame]
As big of a fan of Gaga as I am, I can most certainly say this is her worst song. Automatic Skip.

71. Again Again – [The Fame]
This song, much like #72, doesn’t really feel all that much like a Lady Gaga song. It’s listenable, though, so that’s a plus.

70. Sinner’s Prayer – [Joanne]
You either love or hate this song. I think I tend to fall closer to the dislike side of the spectrum. It’s not a bad song – it has nice lyrics and a good tempo but I find it to be rather forgetful compared to her amazing discography.

69. Retro Dance Freak – [The Fame]
I always thought this song was unreleased but nope. Just an average bonus track for Japan and Australia.

68. Diamond Heart – [Joanne]
I could’ve sworn when Joanne came out that this song was one of my faves. It’s no-doubt a great track but it just isn’t at the same level as the rest of the album.

67. Summerboy – [The Fame]
Though this kind of sounds like a Gwen Stefani track, it’s far from. Summerboy is a bop and a hidden gem at the end of Gaga’s first studio album.

66. Brown Eyes – [The Fame]
The Fame is an amazing album, I PROMISE! But Brown Eyes is a bit slow and Un-Lady Gagaish. Nonethless, it’s a smooth ballad with a lot of heart.

65. Just Another Day – [Joanne]
If this song doesn’t make you feel like you’re trotting around New York City and living the sweet life… Nothing will.

64. Disco Heaven – [The Fame]
D-I-S-C-O and we’re and Heaven… H-E-A-V-E-N! No but seriously, this song has one of Gaga’s best Bridges. It’s an underrated track that deserves more listens than it gets.

63. Jewels N’ Drugs – [ARTPOP]
This is easily a fan least-favorite. While this isn’t Gaga’s greatest track it’s far from being a bad song. In fact, this song has some serious moments where it truly bumps hard!

62. Donatella – [ARTPOP]
This EDM ridden track can be messy at times but still is an anthem! In true ARTPOP fashion, Donatella is risky, blunt, and crazy-as-hell. When I am in the mood for the song, it’s seriously a jam.

61. Fashion Of His Love – [Born This Way]
You could say this is the worst song on Born This Way but that wouldn’t be saying much because the album is nearly flawless. This song has it’s moments.

60. Beautiful Dirty Rich – [The Fame]
This is one of those songs where the live version completely surpasses the studio version. Iconic nonetheless.

59. Come To Mama – [Joanne]
This Freddie Mercury style track has a classic feel with a strong chorus. A song that’s meant to convey positivity in a country that’s in turmoil, Come To Mama feels like a jazz inspired Born This way track.

58. Bad Kids – [Born This Way]
This synth-pop club track is a song for the kids that feel like they don’t fit in. It’s rebellious, energetic, and a complete rock anthem. And… Whether you think she says ‘Fa**ot’ instead of ‘Bad Kids’ is up to your ears to decide.

57. The Fame – [The Fame]
When I think of classic Gaga, this is the song that comes to mind. In true ‘The Fame” fashion, Gaga embraces of need for popularity and endless fortune. At times it feels pretentious but that’s what the album is all about.

56. Dancin’ In Circles – [Joanne]
Of all the songs ranked on this list, this could be the track that gets me the most flack. It’s a great song, I’m not saying it’s not, but compared to her whole discography, it’s hard for this song to rank any higher. This without a doubt is THE fan favorite from Joanne.

55. Money Honey – [The Fame]
This song is where the list became very hard to start making. Money Honey and the 54 songs that come after are all fantastic tracks. This song is so groovy and sleek – it will for sure get you dancing.

54. A-YO – [Joanne]
HEEEERE WE GO! This twangy, country style pop song is one of Gaga’s riskiest tracks on Joanne. It’s bold tempo and dirty lyrics will get you all hot bothered while doing donuts in your pickup truck(?) But let’s be real here, we all know what the real name of this song should be.

53. Teeth – [The Fame Monster]
Yes, this song was used as promo for Shark Week. Bow down to the shark queen.

52. Sexxx Dreams – [ARTPOP]
If the whole track was like the beginning of this song, it would be in my top 10 for sure. Sexxx Dreams is one of the sauciest and sultriest songs Mother Monster has ever created. YAAAS QUEEN (That won’t be the last time I say that).

51. Hey Girl – [Joanne]
It will never make sense to me why fans dislike this song so much. It’s an empowering semi-ballad with an amazing feature! Both Gaga and Florence gave exceptional performances and Mark Ronson’s production talents really shine here!

50. Black Jesus  + Amen Fashion – [Born This Way]
Born This Way encapsulates 80’s vibes throughout the whole record and that is definitely heard on this song. Often overlooked, this gem is a great song to sink your teeth into if you’re in the mood for something to walk the runway to.

49. I Like It Rough – [The Fame]
This was my jam when I was like eleven and I’d be lying if I said it wasn’t still my jam. Though I do find it pretty funny that I had this song (which is about rough sex) memorized at such a young age.

48. Til’ It Happens To You – [The Hunting Ground Soundtrack]
This ode to sexual victims and survivors, Til’ It Happens To You is a ballad full of raw emotion and passion. Being a survivor herself, Gaga’s lyrics feel extremely personal and real. It’s quite a powerful track that I would highly recommend.

47. Americano – [Born This Way]
Much like the rest of Born This Way, Americano is a rebellious track for the outcasts. Tinged with a slick mariachi feel and Spanish lyrics laced throughout, this track is one Gaga’s most unique.

46. Starstuck – [The Fame]
Sure this is one of Gaga’s most basic pop songs but it’s a true a guilty pleasure. Equipped with a Flo Rida feature in all it’s glory, this track is classic.

45. Highway Unicorn (Road to Love) – [Born This Way]
The first time I heard this LGBTQ Anthem my wig was truly snatched. This song is so frickin’ iconic. Thank you gaga for inventing homosexuality.

44. Government Hooker – [Born This Way]
A song about the President screwing a hooker? This song was much more fun to listen to when it wasn’t a reality for our country.

43. So Happy I Could Die – [The Fame Monster]
This smooth, silky track lies at the end of one of Gaga’s most commercially successful albums. It’s a self-love song about finding what makes you happy. One of Gaga’s more underrated songs, So Happy I Could Die is a must listen.

42. Angel Down – [Joanne]
Unfortunately, this fantastic song has a bit of a sad connotation for me. Because it was one of the first songs I listened to after Hillary lost the election, hearing to it tends to bring back those bad memories. It’s fitting though, as this song is about the turmoil and dark-times our country has fallen into. This ballad is quite awe-inspiring and is one of Gaga’s most intimate moments in her discography.

41. Mary Jane Holland – [ARTPOP]
Everything packed into this dark, fluorescent song is nothing short of spectacular. The chorus is great, the bridge is even better, and the production is truly top notch. Mary Jane Holland is the epitome of ARTPOP’s rebellious, electro, out-of-control atmosphere.

40. Heavy Metal Lover – [Born This Way]
Who can resist a song that begins with “I want your whiskey mouth all over my blonde south“? This track is definitely one you don’t want to show your grandmother. But for real, when you listen to this song, get ready for instant slayage.

39. Do What U Want – [ARTPOP]
Lady Gaga and R Kelly tested out their R&B roots together on this track. Often looked at as one of the most mainstream tracks on ARTPOP, DWUW is a classic among fans and everyday listeners alike. It’s catchy hook and smooth tempo make this song a pure ear worm.

38. Monster – [The Fame Monster]
Don’t call me Gaga… And don’t sleep on this song anymore. Monster is one of Gaga’s sexiest tracks. From it’s irresistible hook to the dirty lyrics, Mother Monster delivered big time on this song.

37. Joanne – [Joanne]
Hearing this song live at the Joanne World Tour was one of the best moments of the whole show. It’s stripped back instrumental and haunting lyrics show how far Gaga has come as a musician and song writer. It’s a calm track that allows for some reflection right after two bold songs on the album.

36. Boys Boys Boys – [The Fame]
Did I mention that Gaga is THE gay icon?? Boys Boys Boys was only the beginning, though. Found on her debut album, this track is a fast paced, erotic, club anthem that is truly relentless.

35. Hair – [Born This way]
“I’ve had enough, this is my Prayer, that I’ll die living just as free as my hair.” One of my all time favorite lyrics from Gaga. This track is one of Gaga’s most freeing and proud songs in all of her lineup. It’s a must listen, for sure.

34. Paper Gangsta – [The Fame]
Paper Gangsta is a classic. Telling the story of getting dropped from her first label, Gaga turns up the auto tune and gives us some serious slayage.

33. Swine – [ARTPOP]
This song is Chaotic. Crazy. Unhinged. Intense. Liberating. Monumental. Hog-Wild. Violent. It’s unapologetically loud and a song you will never forget. Swine is what ARTPOP is all about; a creative rebellion.

32. You & I – [Born This Way]
A twangy, country-rock hit that ruled the airwaves, You & I is a fan favorite. It has always stuck out to me as an experimental track for Gaga. This song, however, would sound much more at home on her newer album Joanne.

31. ARTPOP – [ARTPOP]
The title track of Gaga’s most ambitious record is a true melodic triumph. One of the calmest songs on the album, ARTPOP gives the listener some time to breathe in album where breathing isn’t an option.

30. Million Reasons – [Joanne]
Watching Gaga perform this power ballad live at the Super Bowl in front of 119 Million Viewers was one of the greatest moments as a little Monster. This song proves how much she has matured as an artist and a performer. It has soul, vulnerability, and strength; it is one of the most monumental songs of her discography.

29. The Queen – [Born This Way]
A true empowerment track from The Queen herself. An often overlooked song on Born This Way, The Queen stands tall and embraces individuality. Gaga is a master of writing songs that are bold and fulfilling, this track is no different.

28. G.U.Y. – [ARTPOP]
G.U.Y. or Girl Under You is one of ARTPOP’s most adrenaline pumping anthems. A super strong chorus and silky smooth lyrics create something truly extraordinary… And don’t even get me started on the ‘NEIN ZEDD’ screams at the end – Eargasmic.

27. Perfect Illusion – [Joanne]
Compared to the rest of Joanne, Perfect Illusion is a clear standout. It’s loud, it’s proud, and it’s completely over-the-top. What more could you want?

26. Fashion! – [ARTPOP]
I love love love this track. Whenever it comes on my shuffle, I know that I am about to BOP. It doesn’t take itself too seriously and it’s a nice track towards the end of an intense album. Don’t sleep on Fashion!!

25. Dope – [ARTPOP]
Though #25 doesn’t seem like a good spot on the ranking, it really is. Dope is a stellar ballad that really evokes Gaga’s raw emotions. The lyrics at times seem cheesy but they’re far from – they are honest and from the heart. It really is one of Gaga’s most heartfelt and real songs.

24. Speechless – [The Fame Monster]
Another Gaga Ballad that is just a twinge better than Dope, Speechless is something special. The track is full of fantastic lyrics that will leave you in awe of Gaga’s pure talent. It’s a song that all Little Monsters know and love; it’s our little secret.

23. Alejandro – [The Fame Monster]
This stadium anthem is truly one of a kind. Probably one of my favorite music videos from her, this Fame Monster jam is dark, sultry, and stunningly amazing. Alejandro as a song and a video are the epitome of “Dark Gaga”. The Gaga we all fell in love with.

22. John Wayne – [Joanne]
Okay this song weirdly doesn’t have a proper chorus BUT it’s still THAT song on Joanne. It’s a country/EDM jam that is a clear standout on the album. Whether you see it in all of it’s glory live or bop to it on Spotify, there is no way you won’t love it.

21. Born This Way – [Born This Way]
This song must be great considering I have a verse of it tattooed on my forearm. Out of all of Gaga’s songs, BTW has some of the most inspiring and moving lyrics. For so many, this song created a way for Gay and Transgender kids to feel accepted and feel normal for once. More than the lyrics though, the song is a straight up power-jam! If your not at least tapping your foot by the end of the track, you’re not listening.

20. MANiCURE – [ARTPOP]
Y’all can trash ARTPOP all you want but never come for MANiCURE. This rock infused, EDM banger is experimental and flamboyantly fun. Whenever I turn it on, I don’t want it to end.

19. Applause – [ARTPOP]
The first single off of ARTPOP is probably the most iconic. In-your-face production from DJ White Shadow and a radio friendly sound made this song an instant hit with many. With two semi-slow songs before this one, it ends the album on a much needed Bang!

18. Just Dance – [The Fame]
Could it get any more quintessential-gaga than Just Dance? The answer is a resounding no. Just Dance was Gaga’s first smash-hit and she has been relentless ever since. This song is more than just a classic, it is utterly iconic.

17. The Edge of Glory – [Born This Way]
A favorite of my mother’s… The Edge of Glory is a special song for me on many levels. It has a pure pop sound and lyrics that will keep you working out for hours – there’s a reason it was a massive hit! It’s really one of her best, for sure.

16. The Cure – [Single]
Randomly thrown at us during her 2017 Coachella performance, many Little Monsters were surprised when we first heard this song. Only a fresh one year old, The Cure is already a favorite for many. It’s trendy production combined with her matured vocals make this song a special one.

14. Poker Face – [Lady Gaga]
Let’s be honest, if you ask anyone to name one Lady Gaga song, they’ll probably say this one. Poker Face gave Lady Gaga name recognition and it secured her prime spot on the airwaves. It’s insanely catchy chorus and provocative lyrics gave people a reason to talk about Lady Gaga. Poker Face was a song destined for stardom.

14. Aura – [ARTPOP]
If I haven’t made it abundantly clear yet, ARTPOP is weird and Aura is no difference. I mean, if you don’t believe me, give it a listen. Almost as if the song itself is on ecstasy, Aura seems completely off it’s rocker – but in a good way.

13. Electric Chapel – [Born This Way]
This grunge-y pop masterpiece is often overlooked on Born This Way. From the first time I listened to it, I knew that this would be a longtime favorite. It has some serious rock vibes and a hint of Disco that will keep you moving for days. It’s dark, it’s sexy, and it’s almost good enough to break her coveted top ten. So close.

12. Paparazzi – [The Fame]
This song would easily be number one if she recorded it like she sings it live. I wish I could explain it for you on here but I just can’t explain how great it is. But all in all, this song is frickin’ fantastic and one of Gaga’s most iconic songs… In fact, it’s the song that made me a fan of her’s. The lyrics are exceptionally deep for a pop song and the production is beyond amazing.

11. Venus – [ARTPOP]
The very first time I heard the thirty second snippet of this song on YouTube, I LOST IT. The level of perfection that this song reaches was too much for sixteen year old me. Welp, five years later and I still haven’t recovered. Venus is one of Lady Gaga’s most experimental songs and one of her best. It embraces the weirdness of ARTPOP with the lyrical complexity of Born This Way. Perfection.

10. Grigio Girls – [Joanne]
It’s hard to explain why I think this song deserves to be in the top ten. Maybe it’s the way that it flows so so so nicely or maybe it’s how nicely it wraps up Joanne; I honestly don’t know. What I do know though, is how utterly gorgeous this song is. Dedicated to her now late friend Sonja, it is a touching tribute that really pulls at Gaga’s vulnerability.

9. Telephone – [The Fame Monster]
Easily one of Gaga’s most recognizable songs, Telephone is a Gaga classic. The contagious dance beat combined with the fact that she featured Beyonce, it was recipe for a massive hit. No matter how many times you listen to this song, it really can’t get old.

8. Scheiße – [Born This Way]
Out of all of her non-singles, this is probably the song that get’s the Little Monsters the most hyped. The absolutely insane instrumental met with the empowering lyrics create a song unlike any other. You might just have to listen for yourself to truly understand why her fans are obsessed with this epic track… But prepare yourself, you might never want to turn the song off.

7. LoveGame – [The Fame]
This is the best song on The Fame, okay? Don’t argue. Maybe it’s the fact that it’s severely underrated or the fact that it’s impossible to not dance to, but I can never get enough of this song. While most of the general public know this as the “disco stick” song, it’s still fascinating that they allowed this on the radio.

6. Marry The Night – [Born This Way]
Marry The Night is Gaga’s ode to her dark path to fame. It’s a booming dance track that fits in perfectly with the rest of Born This Way. Though it wasn’t a radio smash hit, it lives as one of her biggest fan favorites. The song has a slow, melancholic build up that allows you to savor a brilliantly triumphant ending. Marry The Night is the epitome of everything Born This Way stands for: empowerment, embracing yourself, and fighting your inner demons.

5. Bloody Mary – [Born This Way]
There is truly nothing better than Gaga when she transforms her music into a dark, twisted masterpiece. Bloody Mary is that song. It’s nearly impossible to describe to the average listener just how utterly perfect this song is. From her insane screams laid out through the track or the religious references laced throughout, it’s hard to find any flaws in this song.

4. Bad Romance – [The Fame Monster]
For many, this is not only their favorite Gaga song but their all time favorite song — and for good reason. This song is absolutely iconic. It absolutely demolished the airwaves throughout the world and showed everyone that Gaga was indeed a force to be reckoned with. The fire production combined with the phenomenal lyrics blend together to create something incredibly new on the pop scene. Bad Romance is the true peak of Gaga’s hit perfection.

3. Dance In The Dark – [The Fame Monster]
Creating a top three is especially hard but I knew deep down that this song deserved the coveted spot. This is the ultimate “it should have been a single” song in her discography. It’s nothing short of pop perfection – mixed with a massive amount of Gaga flair. Almost eight years after it’s release, it still feels as if it could be a hit today. Dance In The Dark is a timeless track with a fantastic production, vulnerable lyrics, and a hint of something special that I just can’t describe… But I promise you that it’s perfect.

2. Gypsy – [ARTPOP]
A tribute to her fans, this song embraces loneliness, longing, and Little Monsters. Though I think this song should have been the final song on the album, it fits right in before Applause. It beautifully wraps up an album that deals with a lot hardships and woes. It’s not nearly as electronic as the rest of the album but it finds it’s strength in being a song of passion and heart.

1. Judas – [Born This Way]
The bizarre lyrics. The unbeatable production. The live performances. Everything about this song is why I fell in love with Lady Gaga. From the first time I heard this song on the radio until now, it’s forever been a song that I can crank up full blast and forget about the world around me. Judas has an attitude to it that will capture your attention and never let it go. Sure, at times this song can be completely obnoxious and crazy… And sure, she released this song (called Judas) on Easter Sunday… But still it’s everything you could ever want from a Lady Gaga song.

Top 15 Albums of 2017

In a year where I expected big names to dominate my list,  the exact opposite happened. Up and coming artists are the ones who dominated 2017 and I could not be anymore more happy about that. Whether it be the fact that mainstream popular music is becoming more unbearable by the year or the fact that smaller artists have a better platform to get their music out nowadays, 2017 proved that popular doesn’t always mean better. Because so many great albums were released this year, I had to trim this list quite a bit. With nearly 25 albums that were contenders for this list, I had to choose the best of the best. So let’s get the ball rolling before any other amazing albums are released this year.

**This yearly Top 15 list is different from my past lists because I am including LP’s and Mix-tapes**

15. Gang Signs & Prayer – [Stormzy]
Unlike last year’s list, this year will pretty sparse when it comes to rap artists. Stormzy is the exception to that. He presented a solid album that was over the top eccentric while still being completely vulnerable. Gang Signs & Prayer is a high-energy, shocking, bold, work of art that isn’t afraid to take risks. The lengthy track list allows for many ups and downs. You can see these melancholy moments in songs like Blinded By Your Grace Pt.1 and Lay Me Bare. In both of these tracks it seems as if Stormzy is presenting his most raw moments with the listener, ultimately giving them a peak inside of his life. Though, I find the over-the-top, crazy songs on the record to be the calling card for this album. Songs like Cold, Big For Your Boots and Return Of the Rucksack are truly spectacles and deserve all the recognition that they receive.

Best Songs: 100 Bags, Big For Your Boots, Return of the Rucksack

Favorite Lyric: “Same old shit, just mums, no dads — And we all know growing up in London’s mad — Mummy ain’t never seen a hundred bags –So let ’em all know that my mumzy’s glad [100 Bags].”

 

14. So Good – [Zara Larsson]
For quite some time, I saw Zara’s music and didn’t really give her a true listening session. That ended in 2017 with the release of her new album So Good and I am so glad that it did. With true pop bliss, Larsson mastered a mix of pop ballads and all out bops.  From beginning to end, the album has a sense of provocativeness and lust that really makes this album quite unique. She may not be a well known pop act but she has the sound to be a chart topper. Songs like Ain’t My Fault, Lush Life, and Make That Money Girl are destined to rule the airwaves with their catchy hooks and fun melodies. This album isn’t just pop hits, though. Some of the best parts of the album are when Zara reveal her more personal emotions and feelings. I Cant Fall In Love Without You is a slow, moody track that embraces her softer side – it’s one of the best parts of the whole record. If you’re anything like me, you’ll be listening to this album for a whole year straight because it really is a great pop record.

Best Songs: One Mississippi, Ain’t My Fault, I Cant Fall In Love Without You

Favorite Lyric: “I like the way, that you set the scene — The way you breathe in your nicotine — I like the way it burns when you say goodbye — I like the way it hurts when you screw with my mind [One Mississippi].”

13. American Teen – Khalid
I truly wish every single song on this album was as good as the title track. The nostalgia it holds and the feelings it portrays throughout are some of my favorite music moments of 2017. That song and a handful of other amazing tracks on this record give this album a spot on this list. Khalid created one of the best nostalgia-ridden albums of the year with tracks like 8Teen, Another Sad Love Song, and Angels. Being such a young artist, Khalid opened up about High school troubles, young love, and other teen dilemmas. Every time I turned on this album, it took me back to my high school years and all the melodrama that went along with it. Anyone that tells you that Khalid or this album is overrated, they’re wrong; I’d argue that it’s underrated.

Best Songs: American Teen, Coaster, 8Teen

Favorite Lyric: “‘Cause this is our year — So wake me up in the Spring — While I’m high off my American dream [American Teen].”

 

12. Wonderful Wonderful – [The Killers]
This long awaited album by the iconic Las Vegas band, The Killers, was a really big breath of fresh air for music in 2017. Almost as if all of the songs were meant to be screamed by a large crowd at a sweaty music festival, Wonderful Wonderful is an album meant to be a freeing musical endeavor. With light, airy instrumentals for a majority of the tracks, the album is never overbearing nor is it abrasive. However, there are some songs on the record that really can get the blood pumping. For example, the title track and the opening number on the album, Wonderful Wonderful, is a spectacular crowd pleaser that will leave everyone forever hyped. The Killers are experts of creating masterful suspense in their music which makes the last couple verses virtually irresistible. The song Rut is a fantastic example of that phenomenon. The ending is so hypnotizing, that it’s almost impossible to not hit the replay button and relive it all over again.

Best Songs: Wonderful Wonderful, Rut, Some Kind of Love

Favorite Lyric: “What have you gathered to report to your progenitors? — Are your excuses any better than your senator’s? — He held a conference and his wife was standing by his side — He did her dirty but no-one died [Run For Cover].”

11. About U – [MUNA]
MUNA’s first debut LP was quite special one. Declared as an album for the LGBTQ community, people of color, immigrants, and those who don’t feel safe being who they are; About U makes itself an album for the people who have always had it more difficult than others around them. It may be full of dance tracks and catchy hooks but it’s so much deeper than that. The lyrics signify a fight of resilience against the patriarchal, oppressive system the United States as placed upon people who don’t fit a certain mold. Given that this trio of queer women has faced their fair share of discrimination, their voices are nice to hear in the fight against bigotry in 2017. One of the best parts of the record is when they address the issue of sexual assault in the track Loudspeaker. Their urge to bring up touchy subjects and address them head on is what makes this album so special. It’s rawness and attention to detail are some of the many reasons as to why critics have acclaimed this record. It’s worth the listen, for sure.

Best Songs: I know a Place, Winterbreak, Loudspeaker

Favorite Lyric: “What you’ve done to me — Well I’ve seen many a friend be silenced — Thinking nobody would believe them [LoudSpeaker].”

10. Rainbow – [Kesha]
I love Kesha to death and have been a fan since the beginning but I would NEVER have thought that she would release a critically acclaimed record. With her first grammy nominations coming from this album, Kesha’s acclaim is well deserved. Experimenting with a new sound, she marks a bold departure from her mainstream pop days. Being somewhat country inspired with splashes of disco, pop, and boogie-ness, it feels as if Kesha started making music that she wants to make – and you can tell. The lyrics feel much more personal, such as Praying which is a clear ode to her sexual assault court ordeal. She embraces the pain though, to create a masterful record that promotes moving on and being yourself. Not very often does it feel as if she is relishing in the pain; she seems persistent on finding happiness and promoting a message of love for her fans. With a five year gap between this album and it’s predecessor, Kesha came back loud and proud to remind the world and the radio that she’s still the master of songwriting.

Best Songs: Hymn, Finding You, Praying, Bastards

Favorite Lyric: “This is a hymn for the hymnless, kids with no religion — Yeah, we keep on sinning, yeah, we keep on singing [Hymn].”

 

9. Hopeless Fountain Kingdom – [Halsey]
Hate on Halsey all you want but she makes a damn good album. Hopeless Fountain Kingdom is pop/trap/alternative album that takes tons of risks which ultimately pay off. Starting off as an indie/pop artist in 2015 with her lead LP, Badlands, Halsey has developed a lot as an artist. Her lyrical abilities have progressed quite a bit with songs like Eyes Closed and Hopeless where she seems more vulnerable than ever. As well as songs like Walls Could Talk and Don’t Play where she’s overwhelmingly assertive and poised. Though she is still as confident as ever, Halsey opens up more on this album which really helps the album feel more personal. Her open-ness about her bisexuality as well helps this album find an image of resilience and strength. Overall, I find this record to be a great addition to Halsey’s discongraphy and I am so glad she’s finally getting playtime on the airwaves.

Best songs: Eyes Closed, Heaven in Hiding, Hopeless, Lie

Favorite Lyric: “Now if I keep my eyes closed he looks just like you — But he’ll never stay, they never do [Eyes Closed]”

8. Dua Lipa – [Dua Lipa]
At the beginning of 2017, I remember telling everyone who Dua Lipa was and begging them to give her a listen, now it seems as if she is becoming a larger than life pop star. With the smash hit New Rules, Dua Lipa transformed herself from a small hit maker into the break out star of the year. Her self titled album, however, is much more than her radio smash’s.  With deep cuts like No Goodbyes and Lost in Your Light, Dua Lipa created a pop album close to perfection. Lyrically, this record proves that Ms. Lipa is a masterful song writer who is self aware and confident in her ability. What makes her so awesome is the fact that she embraces her pop roots. She doesn’t pretend to be a genre that she’s not – she is 100% pop and rocks it completely. Over the next couple of years, I am extremely excited to see where her career takes her. Soon enough, Dua Lipa will become a household name and the whole world will be bowing down to the new queen of pop… I can’t wait.

Best Songs: No Goodbyes, Be The One, New Rules, Blow Your Mind (Mwah)

Favorite Lyric: “And if you’re under him — You ain’t getting over him [New Rules].”

7. CollXtion II – [Allie X]
Theres truly nothing I like better than sexy, dirty, synth, pop with a dark twist to it. Wallah! Allie X delivers all of that on her second LP, CollXtion II. Still a relatively fresh face in the world of music, X presents something new and exciting for the pop music scene. Her catchy hooks mixed with her unique writing style creates an album that is fun on first listen and is completely re-listenable. With every track, it is very easy to become engaged in the story she is telling. Using anxiety, her complex love life, and her own youth as a platform for many songs, almost all of the songs are relatable. One song on the album that really showcases her impeccable song writing capabilities is Simon Says. With a strong synth production and a hazily insane chorus, Allie X presents herself as a compellingly real artist. OLD HABITS DIE HARD is another track on the record that really gets the blood flowing. With a bold intro and an even stronger chorus, she locks the listener’s ears into the song and refuses to release them. CollXtion II is one of the biggest  music shocks of the year for me, I loved every single second of it.

Best Songs: Simon Says, Casanova, OLD HABITS DIE HARD

Favorite Lyric: “My mom says I’ll fade away — Sister says that she’s scared — My dad says I let him down — But I don’t care [Simon Says].”

6. Blue Lips – [Tove Lo]
Blue Lips is a follow up record to her sophomore album, Lady Wood, but it doesn’t necessarily feel that way at all when listening. This album is a much more alluring and seductive side of the pop star and it’s really refreshing. Sure, it might not have as many pop bangers as it’s predecessor but it really shows her maturity growing within in her music. The vibe during the album is freely-flowing and provocative throughout, which ultimately gives the album a very dominant personality. Both sonically and lyrically, Tove Lo presents a vulnerable side of herself which is pretty nice to see in comparison to her previous works. She has always been very straightforward about her sexuality in her earlier records and that is not lost at all on Blue Lips. Disco Tits embraces her sexual innuendos and creates a bouncy and smooth track that will for sure leave you fully charged and with your nipples hard (Those are lyrics btw). The clear standout track on the album, however, is the entrancing Stranger which has an absolutely sexy guitar riff throughout and a chorus that will be stuck in your head for days.

Best songs: Stranger, Bad Days, Struggle, Hey You Got Drugs?

Favorite Lyric: I’m in a cycle — Yeah, I admit it — How can I change it when I don’t know when I’m in it? [Cycles]”

5. Everything Now – [Arcade Fire]
In the year of pop girls reigning in my rankings, Arcade Fire managed to release one of the most diverse albums of the year. By using this album to tell a story, the band manages to create some great tunes along the way. Starting the record with up-beat, fast-paced, disco-inspired songs and eventually winding itself down throughout the album, Arcade Fire tells the story of a band being trapped in their own creation. Most of the album feels lost, almost as if they are questioning their own ideas and concept. That is what makes this bizarre album so intriguing, though. Beyond the album’s concept, however, the record has some other very redeemable qualities. Everything Now, the title track and lead single from the album, introduces itself as an ABBA-inspired opening epic. With a seemingly happy instrumental, the lyrics tell a much darker story of being fatherless and empty. This theme is present throughout most of the album with the mentioning of suicide, our country’s media, fake love, and paranoia. The songs Creature Comfort and Good God Damn draw vivid portrayals of depression, longing and suicide attempts. Good God Damn even goes as far as to describe the moments before the suicide attempt; it’s a rather dark track. While sometimes seeming overwhelmingly cynical, Arcade Fire’s use of gloomy imagery makes this album the stellar piece of art that it is. It’s brilliance cannot be put into words.

Best Songs: Everything Now, Put Your Money on Me, We don’t Deserve Love, Good God Damn

Favorite Lyric: “I’ve been hiding my scars in broad daylight bars — Behind laugh tracks on TV — If you can’t see the forest for the trees — Just burn it all down, and bring the ashes to me [We Don’t Deserve Love].”

4. Number 1 Angel – [Charli XCX]
I want to personally thank Charli XCX for introducing Bubblegum Bass to the United States because without it, 2017 just wouldn’t have been the same. With her over-the-top concept of pop music, Number 1 Angel gives the listener a completely new style of music to comprehend. Using a multitude of genres such as experimental pop, hip-hop, and electronic synth, this album was something completely fresh on the scene. Songs like Lipgloss and Roll With Me emphasize Charli’s more experimental vision of pop. Strong, sometimes abrasive beats coat both tracks and make them feel intense while simultaneously intriguing. This out of control, electronic pop is what makes Charli such a unique artist for the pop music scene. Other songs like White Roses, Emotional, and ILY2 show her more mainstream sound while still showcasing her personal bubblegum base sound. 2017 was definitely Charli’s year – let’s make 2018 continues this trend.

**Bubblegum bass (sometimes called PC music, bubblebass, post-ringtone or bubblegum badass) is a new style of electronic and pop music which amplifies cuteness, femininity and deliriousness to extreme levels, often pitching the vocals upward and warping the rhythm through a frenzied bass and wonky filter.**

Best songs: Dreamer, White Roses, Emotional, Drugs

Favorite Lyric: “Yeah, I’m an angel in the atmosphere — Up in the penthouse, come and say my name — But sometimes I just wanna disappear — So then I spread my wings and fly away [Dreamer].”

3. POP 2 – [Charli XCX]
You read that right… Charli XCX released TWO amazing albums in 2017. If this was any other year, I can guarantee you that this album would be in first place but 2017 was just too damn competitive. In every sense, this album is utter pop perfection. With it’s bold use of Bubblegum Bass, Charli delivers a stellar record that is impossible not to indulge in. Being a bit more experimental than Number 1 Angel, it seems as if POP 2 is indication that she is much more comfortable taking risks. This risk taking is what makes this album so successful. Whether it be the distorted ballad, Lucky, or the rap-esque, Delicious, the bizarre and wonky songs are where Charli really succeeds – which is nearly the whole album. Though some may not like the intense electronic production that Charli boasts in her music, it’s what makes her music enthralling and critically acclaimed. Unlike many other stars in the pop music industry, her style is completely innovative and unlike anything else out there. As much as I just want to stick the headphones in your ears and force you to listen, unfortunately I can’t. But what I can do is promise that this album is unlike anything you have ever heard.

Best songs: Backseat, Lucky, Delicious, Track 10, and Femmebot

Favorite Lyric: “Every time you get too close I run, I run away — And every time you say the words I don’t know what to say — Back, back to the beginning, really wish that I could change [Track 10].”

2. Lust For Life – [Lana Del Rey]
I don’t know how Lana does it but just like every other album she has released, Lust For Life is a breathtaking magnum opus that nearly reaches perfection. Her classic soft vocals paired with a contrasting production is what makes her music so one of kind. This album, however, makes a departure from her previous works in terms of the content in the tracks. Taking a more a political stand throughout this album, Lust For Life seems like a record that takes a firm stance against what is currently going on in the United States. Songs like When The World Was At War We Kept Dancing, God Bless America and All the Beautiful Women In It, and Change all seem like they are meant to be an ode to the protests that have been occurring throughout the country. Given that many of her devoted fans seem to be outcasts and misfits, this album seemed like a fist in the air for them – a way to show everyone that she stands with them in the fight against fear and bigotry. Not all of the album was purely political though, the song Heroin was a nice touch towards the end of the record. Singing about someone close to her that lost their battle of addiction, Lana becomes pretty vulnerable and open in this track. Get Free was another track that really stuck out. Being the final song on the album, it was a symbol that happiness was on the horizon for her. It’s a touching reminder that anyone, even Lana Del Rey, can move on from what haunts them. What makes this album so special is how it seems to be a step forward for her personally, politically, and musically. It signaled change and growth – which is what we have always wanted to see from her. This album is truly exceptional and I couldn’t urge you anymore to give it a listen.

Best songs: Love, 13 Beaches, Heroin, Get Free, Lust For Life, and Cherry

Favorite Lyric: “Sometimes it feels like I’ve got a war in my mind — I want to get off but I keep riding the ride — I never really noticed that I had to decide — To play someone’s game or live my own life [Get Free].”

1. Melodrama – [Lorde]
For pop music fans out there, this number one selection comes at no surprise. Being one of the most critical acclaimed albums of the year, Melodrama is a record like no other. It truly encapsulates the life of teen heartbreak, lust, and recklessness. You can feel Lorde’s raw emotions come out in nearly every track of this album. The pain and the embarrassment that plagues all of us as we transition from teenagers into adults is what this album embodies. We’ve all felt that emptiness, that feeling of unescapable loneliness; so has Lorde. It doesn’t feel un-genuine in the slightest, the sentiments are authentic and make it feel as if she is singing from deep within. The stories she tells throughout the eleven song track-list each present a different side of the singer. Whether it be the pitfalls of love that she had to overcome or the feeling that her personality was too much to handle, Lorde presented an album that nearly anyone can relate to. Paired with Jack Antonoff’s magical production skills, the instrumental from beginning to end is something truly special. On both reprises, Sober II (Melodrama) and Liability (Reprise), the production is what makes the tracks so irresistible. The haunting chords that strum throughout both tracks give the songs an eerie feeling which is truly spectacular. The reprises aren’t the only triumphs on the record, though. The lead single Green Light is one of the best songs on the album and of the entire year. It’s forceful chorus entangled with the astounding lyrics create a song unlike any other. Lorde is good at making music that sticks out among the rest and Melodrama is a great example of that. While sometimes mainstream, she keeps her signature sound and writing style which makes this album feel like her own. It’s an album that won’t be forgotten for a long time – this is the album that Lorde will be remembered by. It’s a masterpiece.

Best songs: Green Light, Liability, Supercut, Sober II (Melodrama) and Writer in the Dark

Favorite Lyric: “He don’t wanna know me — Says he made the big mistake of dancing in my storm [Liability].”

 

 

 

A Definitive Ranking of Every Lana Del Rey Song… Ever.

You didn’t ask for it but I’m here anyways. Every single Lana Del Rey song ranked from worst to first with my unnecessary commentary along the way – Yay! I know many of y’all will send me hate for the ranking but that’s okay! Let’s get this thing rocking and rolling. Seventy-Two songs ranked. This should be easy.

**Disclaimer: I am only ranking released tracks. If I tried to rank all of her released and unreleased songs, this list would take a year to make. And we’re Off To The Races!

72. This Is What Makes Us Girls – (Born To Die)
This is pretty much the only Lana song I genuinely dislike. Next.

71. Don’t Let Me Be Misunderstood – (Honeymoon)
It’s a cover and it doesn’t really fit the mood of Honeymoon at all. I usually skip it… Still an alright track, though.

70. Coachella – Woodstock on my mind – (Lust For Life)
Let’s be honest with ourselves. The first time we listened to it, we all kind of cringed. The lyrics are great but the production is wonky AF. Can’t say I’m much of a fan.

69. Religion – (Honeymoon)
I absolutely love the lyrics of this song but the track is just a bit too boring for me. It never really picks up and the bridge is underwhelming.

68. The Other Woman – (Ultraviolence)
Another cover. This one, however, fits in with the album a lot better. Sometimes I absolutely love it but usually it’s a skipper.

67. Burning Desire – (Paradise Deluxe)
This is a weird Lana track. Good… but still weird. I don’t listen to it often because it’s really not on any album, it’s kind of it’s own thing. I won’t usually skip it though, so I guess that’s a plus.

66. Carmen – (Born to Die)
I feel like every Lana stan get’s really into this song at one point and then kind of forgets about it. Me basically.

65. White Mustang – (Lust For Life)
If the whole song was like the beginning of the song, it would be MUCH higher up on the list. Unfortunately, the chorus is a tad bit too repetitive. Lana you can’t just say “White Mustang” over and over again and call it a chorus. Ugh. The potential was high.

64. Fucked My Way To The Top – (Ultraviolence)
Amazing title but just an average-ly good song. Maybe I just listened to it too much but it’s been awhile since I truly dived into this song.

63. Guns And Roses – (Ultraviolence)
This song is sexy AF and I really wish I could put it higher on this list but theres so many amazing Lana songs it has to compete with. The production is so sleek and delicious. Lana serves on this track.

62. Blue Jeans – (Born To Die)
A Lana classic. Always thought it was a bit overrated but still a great song, nonetheless. It’s the perfect summer love song that proves that Lana is a lyrical master.

61. 24 – (Honeymoon)
Beautiful. Beautiful. Beautiful. The only downside is that it feels out of place on Honeymoon which is why I sometimes skip the track. When I’m in the honeymoon mood, 24 isn’t the track I want to listen to.

60. Summer Bummer – (Lust For Life)
Okay we were all caught off guard when we saw that she featured a rapper on this track and at first I wasn’t a fan. This song, however, grew on me a lot. It actually bops pretty well and ASAP’s verse is kind of lit.

59. Florida Kilos – (Ultraviolence)
A bonus track on the record that is purely and exclusively about cocaine. The song is cold and sometimes unwelcoming but that’s kind of the central theme of Ultraviolence. When I want to listen to this song, I absolutely adore it.

58. Blue Velvet – (Paradise)
A brilliant cover that perfectly ties Paradise all together. Lana’s heavenly vocals and the romantic production is a match made in heaven. I just wish it was Lana’s lyrics and not someone else’s.

57. In My Feelings (Lust For Life)
“I Fell for another LOOOSER” she sings in the opening verse. I think we can all relate to this song on a personal level. Singing the truth as usual, Lana delivers a poppy groove on this song. It’s a solid mid-album transition into the next half of the record.

56. Freak – (Honeymoon)
This song seems to top everyone’s Lana list but it won’t for mine, unfortunetly. It’s very good but compared to the rest of Honeymoon, I just don’t have that big of a connection to it. Though, I can still appreciate the song a lot.

55. Groupie Love – (Lust for Life)
Awkwardly placed right after Summer Bummer on Lust For Life, this song outshines it’s predecessor completely. It has an enchanting opening verse, a lovely hook and a vibe-y chorus that will have you swaying for ages.

54. Sad Girl – (Ultraviolence)
This black and white sad girl song is Ultraviolence’s theme song. It perfectly resembles every theme that the album portrays from beginning to end. Let’s also not forget that the chorus is brilliant beyond belief.

53. American – (Paradise)
This Old Americana-Esque track is the perfect song to crank up in your car when your flying through the streets of your home town. There’s a sense of freedom (no pun intended) and openness about this song that you don’t normally find on a Lana track.

52. God Knows I Tried – (Honeymoon)
The perfect song to listen to alone in your room with your salt lamp lighting up only one corner of your room. It’s blissful and thoughtful and exactly what we want from a Lana Del Rey song.

51. I Can Fly – (Big Eyes Soundtrack)
This used to be my ‘Calm Down’ song after a long, stressful day. Every time I turn it on, it’s like a wave of refreshment washes over me. It’s such a relaxing hymn.

50. High By The Beach – (Honeymoon)
I still don’t know what to make of this song. Do I love it? Do I hate it? Definitely not the latter. I have probably listened to it over a hundred times and still cannot decide. Maybe that’s a sign of a great song. It’s brilliant in it’s own way and I respect it for the piece of art that it is.

49. Yayo – (Paradise)
This might be Lana’s slowest song but it’s hard to judge when her discography is prominently doleful tracks. I’m not complaining, though. Yayo is a great song to reevaluate your whole existence to. Fun, right?

48. Bel Air – (Paradise)
This airy track is the fitting ending to a perfect album. Bel Air is romantic, emotional and nostalgic all in one. Having it pop up on your shuffle is never a disappointment.

47. Video Games – (Born To Die)
The song that made her famous and the song which will make people hate me. Given that this is a fan favorite, many will disagree with its’ ranking on this list. I’m not arguing that this song isn’t amazing, all I’m saying is that she has many, many, many songs that are far superior.  Don’t get me wrong, though, this song deserves all the recognition that it receives. It’s honest, bold and the perfect Lana song to get to know her with.

46. Cola – (Paradise)
The opening line of this song is absolutely iconic. This sexy, sweaty track is enough to make any skeptic a fan. How can anyone resist this song?!

45. When The World Was At War, We Kept Dancing – (Lust for Life)
“Is it the end of an Era? Is it the end of America” she asks her listeners throughout the song. This track introduces us to a Trump-Era Lana Del Rey where she questions the very country she’s been singing about for years. It’s a well thought out, pessimistic track that will keep you coming back for more and more.

44. Summertime Sadness – (Born To Die)
No. Not the remix. Ever. Summertime Sadness is a Lana classic that will have you aching for summer all winter long. No song captures the feeling of summertime nostalgia better than this gem.

43. Art Deco – (Honeymoon)
Let’s start off by saying that the instrumental on this album is beyond enthralling. From beginning to end, the electronic bells create a sense of mystery and dazzle that you never really find in modern indie/pop music. It creates a sappy, moody, and passionate song atmosphere that you never really want to end.

42. Pretty When You Cry – (Ultraviolence)
A soft guitar ballad that truly let’s Lana’s vocals shine throughout. Every time I listen to it, I begin to relate to it more than I did before. The lyrics are raw and the vocals are even more raw. The song is painful… you can hear it in her voice and the words she writes.

41. Radio – (Born To Die)
This song is very “Born To Die” and much different than her recent work. That being said, this is a great Lana track. It’s a classic that nearly every Lana die-hard will know by heart. “Now my life is sweet like Cinnamon, Like a fucking dream I’m living in.” Perfect.

40. Change – (Lust For Life)
Lyrically this song is next level and something that is even beyond Lana. Going with the political mantra throughout Lust For Life, Change gives the listener a more vulnerable side to Del Rey. It’s an honest political ballad that urges change in our country, in our systems, and in our world. It’s powerful. I wish I could write much more about this track because the lyrical work is beyond moving.

39. Lolita – (Born To Die)
This experimental piece of art is the epitome of Lana’s obsession with unhealthy love. It’s fast-paced, eager, and not-so-typical Lana Del Rey. It’s definitely a treat at the end of an already sweet album. Though, if this is your first Lana song, you may be shocked when you hear the rest of her discography.

38. Diet Mountain Dew – (Born to Die)
I guarantee at one point this was probably my favorite Lana song. Times change though and more albums come to light. That doesn’t take away from how amazing this song is, however. It’s playfulness and tongue-in-cheek lyrical meanings really bring out a different side of Ms. Del Rey.

37. God Bless America – And All The Beautiful Women In It – (Lust For Life)
This triumph of a song arrives midway through the lengthy Lust For Life. It’s a hopeful song that finds itself surrounded by tracks that are not as optimistic. It’s a true breath of fresh air and it is rather powerful. The chorus is stunning and awe-inspiring. It’s a strong song that women really need to hear in an era where many feel they’re forgotten about.

36. Money Power Glory – (Ultraviolence)
I remember the first time I heard this song I was truly shook at how beautiful it was. The replay button was truly abused that night as I discovered how truly talented Lana could be, sonically and lyrically. The chorus packs a big punch that I guarantee will leave you just as shook as I was. It’s truly Ear-Gasmic.

35. Music To Watch Boys To – (Honeymoon)
This track very much fits the mold of Honeymoon. The airy, whispery, softness of the song is what Honeymoon is all about. The playful echoes that bounce off the back of the song give a sense of depth to the track and the melody feels like you could sway forever. The song is haunting and will for sure leave you wishing for more music to watch boys to.

34. Ultraviolence – (Ultraviolence)
The title track off the incredible 3rd studio album by Lana Del Rey is truly a spectacle like no other. I’ll be the first to admit that the song may take a couple listens to fully get into but it’s worth it. Ultraviolence is a dense track that is filled with dark and depressing lyrics – exactly what you want in a Lana song, right?  But it’s more than that, it’s a smooth, somber piece that bring’s Lana’s words to life. It’s a close to a masterpiece.

33. Without You – (Born To Die)
“I even think I found God… In the flashbulbs of the pretty cameras.” She sings at the beginning of the track. Whether it’s ironic or truthful, Lana tells a story of love and loss in this song. Without You is a blend of summer and longing which is why it fit’s perfectly in the Born To Die track list.

32. National Anthem – (Born To Die)
Petition to make this our new National Anthem! Who’s in??? You won’t ever see me kneeling to this masterpiece. But for now, let’s just call it the National Gay Anthem. Bow Down Hunties.

31. Is This Happiness? – (Ultraviolence)
This song holds a special spot in my heart. The lyrics are perfectly depressing and the tempo is slow enough to really get the tears running. No for real though, this track is really spectacular and deserves a high spot on this list for a reason. It’s the epitome of Ultraviolence; slow, somber, melancholy, and spiritual.

30. Tomorrow Never Came – (Lust For Life)
This song is a grower, for sure. But when it finally grows on you, it’s a masterpiece like no other. The mix of Sean Lennon’s vocals with Lana’s amazing lyrics combines to create a perfect harmony of hopefulness and desperation. Tomorrow Never Came is one of the slowest songs on Lust For Life so it’s a nice break when you’re listening through the whole record.

29. Big Eyes – (Big Eyes Sound Track)
The second verse of this song is so haunting that it can give me chills anytime of the day. She sings so softly behind a loud and triumphant instrumental that it gives a sense of secrecy throughout the track. I can never get over the lyrics she sings at the end of the song, “Your world was burning.. And I stood Watching.”

28. Beautiful People, Beautiful Problems – (Lust For Life)
Lana tag teams this track with the legendary Stevie Nicks and it does not disappoint. From the opening lines to the easy-going chorus, these two incredible artists give performances of a lifetime. Their voices mesh so well together and the instrumental behind them is nothing short of stunning. Two icons sharing an iconic song together, could we ask for anything more?

27. Honeymoon – (Honeymoon)
The title track of Honeymoon could have easily fit on the track-list for Ultraviolence. It fits all the criteria for being a Ultraviolence track: it’s dark, it’s slow, and it’s sultry. Beyond that though, being the first song on the album, it’s a brilliant transition from her third album to her fourth. It’s the perfect song to watch the sun set to or just something you listen to when you need a nice calm down. It’s such a relaxing song.

26. Dark Paradise – (Born To Die)
Everything about this song is utter perfection. I truly find myself jamming out to this song on the daily because it just never gets old. It has the Born To Die instrumental with the dark seductiveness of Ultraviolence. It’s one of the few Lana tracks that you can actually get down to, so cherish this beautiful piece of art at all costs.

25. Ride – (Paradise)
I remember sending this song to my best friend who had never really listened to Lana. She fell in love and became a Lana freak just like me. The whole mantra of this song reminded me of her… It was scary how similar it was, actually. We just really related to the lyrics and the art of the music video and it made us the friends we are today. Ride is about the journey of life, the mistakes we make, and the risks that we take. It’s for the kid that doesn’t fit in or doesn’t feel good enough for anybody.

24. Black Beauty – (Ultraviolence)
Life is beautiful she exclaims throughout the track, however, the man she is singing to doesn’t realize how beautiful it really is. The simplicity of this track is what makes it so unbelievably amazing. Her god-like vocals with those enchanting lyrics really give the listener such a great track. You’ll come back for seconds, it’s that good.

23. Gods and Monsters – (Paradise)
“You’ve got that medicine I need… Fame, Liquor, Love, give it to me slowly.” This song is one of the primary reasons I am such a big Lana fan today. The sinfulness of this track has always intrigued me like no other song of Lana’s. It’s dirty, sexy, and twisted all in one melancholy piece. She question’s God’s validity while simultaneously questioning fame. It takes a listen to truly understand what I am talking about, but it’s totally worth it.

22. Lust For Life (Lust For Life)
This was one of those few Lana songs that was absolute perfection on first listen. I knew from the first chorus that this would always be one of my favorite Lana Del Rey songs. It just has the makings to be a huge hit. The chorus is enthralling and the way she sings throughout the track is pitch-perfect. You really can’t ask for much more on a song. This title track is one of the reasons the album is so damn good.

21. Million Dollar Man – (Born To Die)
It’s always fun to act like a sophisticated, rich bitch while trying to sing this song like Lana. I always fail, though. No one can sing this breathtaking piece quite as good ole’ miss Lana Del Rey. Whether it be that catchy-ass chorus or the romance-esque lyrics, I always feel myself coming back for more and more.

20. Cherry – (Lust For Life)
This was definitely a fan favorite on Lust For Life and for good reason. This song is an actual banger. You heard it here folks, Lana Del Rey created a banger. Okay, it might not be a song to rave to but it definitely is up-beat in Lana standards. It’s hip-hop influences and trap style instrumental give the track a Born To Die feel while simutiously staying inside the realm of Lust For Life.

19. Brooklyn Baby – (Ultraviolence)
Did I mention that Ultraviolence is her slowest record? This song is no different. Brooklyn Baby is the perfect example of how sad music can make you so nostalgic and content. Brooklyn Baby is a love song that gets better and better each listen. The track-length is perfectly long and it has a beautiful chorus that honestly never gets old. It’s such a summer song – perfect for a night out by the fire and with some amazing friends.

18. The Blackest Day – (Honeymoon)
This six minute track is nothing short of spectacular. On my first listen of Honeymoon, I knew this one would stay high in my rankings. The lyrics, melody and her voice are all so raw and honest that it makes the song feel that much more intimate. Every Lana song is perfect in its’ own way but this song has something special about it. I don’t even know how to explain it, you’ll have to see for yourself.

17. West Coast – (Ultraviolence)
This was the first Ultraviolence song everyone got to hear and… well… you could say that there were some mixed reactions. It was a completely new style for Lana and people were shocked. Me? I loved it on first listen (and it’s not just because my first listen was when I was on the West Coast). It’s because I could totally feel that Lana was writing and singing music that she loved. It felt so genuine and real. What more could a Lana fan ask for?

16. Once Upon A Dream – (The Maleficent Sound Track)
This is less of a cover and more of a Lana rendition of a classic song. Taken from the sound track of the Disney movie ‘Maleficent’, this ode to darkness is one of Lana’s biggest triumphs as an artist. She works with this song so well, it feels like it was made for her. I have re-listened to this song over and over for the past two years and it has only gotten better. The song slowly builds up into a beautifully brilliant climax that can literally give you an out-of-body experience. LISTEN. NOW.

15. Terrence Loves You – (Honeymoon)
Putting this at number fifteen was extremely hard. I love this song so much and I feel bad not putting it in the top ten.  It brings back so many amazing memories for me. This song came out right before I left for my first year of college so it sort of marked a new era in my life. So you could say that this song holds a special place in my heart and always will. For real though, Terrence Loves You is amazing and deserves all the recognition that it receives. It has the greatest bridge I have literally ever heard on a song (which is quite the feat because I love bridges).

14. Born To Die – (Born To Die)
The highest rated title track on the list and truly one of her most iconic songs. Being one of her most well known tracks, many of you should know how amazing it is. The chorus is superbly depressing and the melody is something special. Lana introduced a sound into the music world which hadn’t really been done before. Her soft, subtle voice, mixed with the hip-hop inspired beats as the instrumental were something unique and new. Born to Die to started a trend and this amazing song can be attributed to that.

13. Old Money – (Ultraviolence)
As I listen to these songs while I write these mini reviews, I remember how much these songs mean to me. Old money brings me back to the summer of 2014 when this song was the only one being played on my phone. My bestie and I would just listen to this song over and over again until we moved onto the next song on Ultraviolence. It’s so relatable and full of summertime angst; we related. We thought we were rebels at the time… We thought we were different. This song only reinforced that notion.

12. Lucky Ones – (Born To Die)
Let me first say that this is going to be played at my wedding some day. It’s the perfect love song and I fall in love with it every single time that I listen to it. What makes it so unique is that it’s so light and fresh for a Lana Del Rey song. It’s not sad or somber, it’s actually pretty uplifting and hopeful. “Finally, you and me are the lucky ones this time.” It’s just so perfect… I love it so so so much.

11. Shades Of Cool – (Ultraviolence)
This song is weird. One second you’re swaying to the slow, seductive guitar instrumental, the next minute you’re on your knees praying to the almighty Lana Del Rey for creating such a sexy chorus. How do I accurately depict this masterpiece? I’m honestly not sure so I’ll just let you listen for yourself. Just make sure to let your old church know you’ve converted to the United Sistrens Under Lana Del Gay.

10. Body Electric – (Paradise)
“Elvis is my daddy. Marilyn’s my mother. Jesus is my Bestest Friend. We don’t need nobody, cause we got each other… Or at least I pretend.” What a bizarre way to start a song. Good bizarre, though. This song is iconic beyond belief… From start to finish, it’s next level. The lyrics, the chorus, the melody, the instrumental. Everything is perfect. Once you press play on this thing, you won’t want it to end.

9. Heroin – (Lust For Life)
Another delightfully long song from Ms. Del Rey. Nothing I say will truly depict how flawless this track is. Yes, it’s about a brutal drug, but it’s more than that. It’s about how heroin took the life of some she loves and how addiction ruins your life. Her soft voice on this song is like pure ecstasy that you never want to leave your system. It’s airy, harmonic, and perfectly imperfect. “I hope that I come back one day, to tell you that I really changed, baby.” 

8. Off To The Races – (Born To Die)
My non-Lana fan of a friend once told me she wishes that every Lana song sounded like Off To The Races, there’s a reason for that… It doesn’t really sound like a Lana song at all. This fast paced, sexually charged, magnum opus from Lana Del Rey is a crazy, poetic masterpiece work of art. When it comes on the Lana shuffle, you’re immediately transitioned into a completely different mood than you were in before. I wish I could just make you listen right now so you could understand.

7. Love – (Lust For Life)
The first single off of Lust For Life was a special one and not just because it’s an amazing song. Love holds so many emotions for me, so many feelings, and a lot of nostalgia. It has a mixture of Ultraviolence, Paradise, Born To Die, and even Honeymoon. It feels like a melting pot of all of Lana’s amazing eras. If you followed her since the beginning like I have, this song showed tremendous maturation for her as an artist. Whether you were watching the music video or listening through your headphones, it wasn’t hard to tell that she seems happier than she has ever been. It was refreshing to hear and see Lana make music that she enjoys.

6. Cruel World – (Ultraviolence)
Cruel World is a nearly seven minute song with harshly sad lyrics, a slow strumming of a guitar, and message that will make you think for days. At times she seems vulnerable, at other times she seems lost and misguided, and even at some points in the song she seems confident and proud. It’s hard to get a read on her during this track but I think that is what the song is meant to convey. Being the first song on Ultraviolence’s track list, it’s meant to introduce the listeners into the crazy world that is Ultraviolence.

Welcome to the top 5 – AKA the hardest choices I’ve ever had to make. Ugh. 

5. Young And Beautiful – (The Great Gatsby Sound Track)
This was my first Lana song I had ever heard and I’m forever grateful that I gave this song a chance. It’s such a special song to me and it holds more nostalgia than any other song in my life. So many things were happening in my life when this song was released, so now every time I press play on it, those bitter sweet memories rush back into my life. I love this song so much.

4. 13 Beaches – (Lust For Life)
Another gem off of the amazing Lust For Life. This song, just like all of the other Lust for Life songs on here, shows monumental strength and development as an artist. The lyrical evolution she has created has proven that Lana is an artist that knows how to make music. She puts so much raw emotion into her music and that is displayed throughout this entire song. Being a song about escaping the paparazzi and trying to find a beach with some solitude, Lana shows the listeners and fans that she, just like us, needs time for reflection and silence. It’s a melancholy song with hints of desire and aspirations. A true highlight in Lana’s discography.

3. Get Free – (Lust For Life)
No Lana Del Rey song exemplifies her growth as an artist like this beautiful piece of art. This track, about overcoming the darkness in your life, is exactly why I relate so much to Lana as an artist. To truly understand why this song shows so much growth, you would have to listen to listen to some of her previous works. A few of the lyrics on this song subtly take nods at some of her old tracks. It’s pretty poetic, actually. The night that I heard this for the first time, I was moved emotionally. The lyrics felt like they pertained to my life, my struggle with anxiety, and how I am starting to overcome it. I listened to it again and again just so I could feel what she was saying, it was beyond euphoric – it reminded me why I love music so much.

2. Swan Song – (Honeymoon)
Not many people talk about this song, really. I wish they would because it’s one of Lana’s most revealing and candid tracks. The quiet instrumental surrounding her mellow, translucent voice is close to angelic. With every listen, it feels like a blanket of sun has kissed my skin; it’s a warm and comforting hymn. Yes, it’s a slow paced track, but it flows so perfectly from verse to verse. From the first word to the last word, Swan Song is a heavenly ballad that perfectly encapsulates the story of love and hurt that so many people feel. At times the song feels heavy and consoling, while other parts feel light and gentle. This is Lana at her best.

1. Salvatore – (Honeymoon)
It was a July night as I was cruising past the french coast, the sun was setting over the Mediterranean Sea, I was alone sitting on the top deck of the cruise boat, and I turned on this song. It was the most relaxed I have ever been in my entire life. I felt at peace. The swaying of the song and the swaying of the gentle sea perfectly captured the feeling of this song. The beautiful chorus mixed with the red-orange sun creeping into darkness was enough to send chills down my spine. It’s as if the song was painting me picture. It was elegant to say the least. Going on though, this was the only song on this list that had a definite spot before I even wrote the ranking. Salvatore is without a doubt my favorite Lana Del Rey song and it deserves all the praise it gets. It has an absolutely brilliant melody, a superb chorus, and an instrumental that can give anyone chills. I don’t even know why I adore this track so much, all I know is that almost no other song on this planet will make me feel the way this song makes me feel.

 

 

 

 

 

 

 

Lorde – Melodrama – Review

If someone were to ask me four years ago who I thought would be my favorite artist in the future, I wouldn’t have hesitated: Lady Gaga. Never in a million years would I think someone could top the queen of pop music, however, Lorde’s sophomore album Melodrama is enough to throw the towel in. The imagery that Lorde projects and the outstanding production that complements her lyrical progression create an album that is mesmerizing and hauntingly beautiful.   It’s sheer brilliance, self awareness and honesty was enough to award Lorde a rare 92 on Metacritic (top 20 of all time) and a virtual standing ovation from music critics globally. Lorde, also known as Ella Yelich-O’Connor, presents the listener with a concept album; one night, one party, and all the thoughts, feelings, and emotions that go along with it. It’s a brisk 41 minute record that will have you thinking deep, thinking thoughtfully and questioning everything.

With the first song on the record being Green Light, the listener is able to see Lorde’s departure from the fifteen year old who wrote Pure Heroine five years ago. She has experienced new-found heartbreak, pain and lust, which is essentially what this opener is all about. Green Light is a pounding-pop, power-anthem that is a real standout on this album. It triumphs her longing for love again and allows the listener to feel the agony she is feeling. The song is fast paced and doesn’t wait for the listener to catch up; it’s a night at a party and the song makes you aware of that. At times, it’s easy to get lost in the song’s jam-packed chorus, but who’s complaining? It’s brilliant.

Lorde is most triumphant when she is honest and truthful about her feelings. When she’s not afraid to get intimate with the listener or too afraid to show the woes that she has faced, Lorde shines like the bright star she is. This is shown in the track Writer in the Dark where she sings about her Ex-Boyfriend and how he must regret giving her inspiration for new songs and material. This matter isn’t what your normally find in a pop record, in fact, the honesty and vulnerability is extremely refreshing in the pop landscape today. Along with the powerful material in the song, the chorus gives the listener a side of Lorde that we’ve never seen. She hits notes that she hasn’t hit before and reaches her stride in her amazing lyrical abilities. It’s no wonder that this song was a quick fan favorite on the album.

This honesty and vulnerability is also shown in the track Liability where she proclaims that she’s a hard person to be around because she’s sometimes too much to handle. Something that a lot of teenagers and young adults feel, Lorde gives the listener something to easily relate to. What makes this song so magnificent, though, is how simple it is to feel. On first listener, I felt connected to the words she was singing; I related to the pain she was hurting from. It’s easy to tell when listening to this record how deeply personal it was for Ella to write. At times on Pure Heroine, it felt as if she had her guard up and was afraid to open up, that’s not the case for Melodrama. It’s inspiring for a loyal listener like I am, to see her open up and be an open book on this album.

In the world of music, especially pop music, four years is a very long time. With the amount of time between Lorde’s first and second album being about that length, it was a tough call on whether she would come back with her original sound. For her to reappear  and be the prominent figure she was four summers ago, she would have to return with something original and innovative – Melodrama exceeds in that department.

Easily the most experiemental song on the record, Sober is gift for the ears. Lorde serves sensual vocals with an insanely strong, yet unique production. The horns, the drums and the base engulf your soul and get you lost in the heavenly song. The first time I heard this track, I practically jumped out of my seat; it was overwhelming at how great it was on the first listen. Sober emphasizes Lorde’s strengths as a young lyricist and showcases her amazing vocal range. Along with Sober, the mid-way album track Hard Feelings/Loveless was something I never expected from Lorde. The slow progression of the production evolving into the climatic bridge of the track was something only a master musician could do… Lorde made it feel effortless.

Long before the album was released, Lorde teased her fans with the short and succulent track-list. Nothing too spectacular, it was just a simple list of the eleven songs on the album. Two of the songs, however, were reprises of other songs on the album: Sober II (Melodrama) and Liability (Reprise). Because I am a devoted Lorde fan who wants to devour as much Lorde music as I possibly can, I was worried that two of the songs on the album weren’t even standalone tracks. This fear was diminished pretty quick though once I was actually able to hear the album. In fact, these two tracks became two of my favorites, not just on the album but in general. Both of these songs have outstanding presentation and song-writing, and oddly enough, they both lack a crucial song element: a chorus. Written more like poetry, these monumental tracks are some of the best compositions I have ever heard and each time I listen, they get better and better.

Hopping back to when Lorde’s mega-hit Royals was hitting the summer airwaves, music critics around the world were in awe at how innovative the track was. It sounded nothing like the Top-40 and it offered something new to the rap-saturated radio. What made Lorde become so popular was the sheer fact that her vision of pop was far different from what had been done before her. Royals was hit because she strived to make something new and exciting for pop listeners; she had to change the game and she did. Artists in every genre picked up from her cues and used her blueprint as inspiration. Songs following that summer had strong influences of Lorde’s moody-dark-raw pop which allowed Lorde to become a household name. For her to come back into today’s current pop market and capture the attention like she did four years ago, she would have to reinvent herself with a new sound; this leads us to the magnificent Supercut. 

The catchiness, the out-of-this-world production and the lyrics on this amazing track blend together to create Lorde’s next Royals. Supercut is the pop song that the pop genre didn’t know that it needed. Found at the near end of the record, this jam is nothing short of remarkable. The way the song is structured is clever because it allows the listener to slowly build into the all-conquering, powerful, final chorus. It’s the most necessary song on the album because it bridges the gap between the ‘Pop Lorde’ and the ‘Alternative Lorde’. It showcases her amazing songwriting abilities and her ability to adapt to different kinds of productions and sounds. At first listen, it may sound like an ordinary pop song but that thought will slowly fade away. Supercut is that song on the record that you will have stuck in your head for days. It’s a classic ear worm that is meant to keep you dancing and singing for days on end.

As the album wraps up on it’s eleventh song, you’re gifted with one mountainous Grand Finale. The end of the party. The last drink in the cup. The final sip before the sober. Perfect Places is that concluding song that brings the album to a close. This isn’t the average closer though. In fact, it’s the song that makes your question every song on the album you heard before it. Instead of celebrating the perfect party you think she is going to write about, you are presented with a question (and the final lyric of the album): “What the fuck are Perfect Places, anyways?”. This track is about how far we will run to achieve satisfaction in our lives. It questions whether we are actually happy with the lives we are living, the parties we are attending, and the lovers we share our bodies with. Is anything as perfect as we make it seem? Perfect Places asks that question after an  album where lust, partying and sensualism are the main elements and where reality and actuality are not. So when she asks this final question, it’s clear that she knows the answer: Perfect Places don’t exist but momentary happiness does.

Melodrama may not be the Lorde we expected but it’s the Lorde that we needed. It’s a dark album that is brightly lit by strong lyrics, a compelling production and determined spirit that has never been seen in a mainstream pop record. It not only exceeded my expectations, it blew them out of the water. Ella’s story from Green Light to Perfect Places needs to be heard in all of it’s glory and opulence; you experience the pain, the heartbreak, the cravings for love, and even the euphoric energy she feels. From start to finish, Melodrama is more than magic, it’s a spellbinding journey that captivates your mind and soul and never releases you. It’s grasp is enough to keep the record spinning in your head for nights on end. What Lorde created was something special for every fan to hear, it was a more personal look into her private life and what she does when she’s not Lorde but simply Ella Yelich-O’Connor. It’s so refreshing to see an artist evolve so much from their first to their second album. Pure Heroine was nothing short of a masterpiece and her followup four years later was somehow able to top it. Both albums shine in their own ways, however, Melodrama has it’s own brillance and poise, it’s hard to top. The space in between the two works allowed Ella to grow into who she really is. Melodrama is more self aware, honest and less protected.  Groundbreaking. 

 

Top 15 Albums of 2016

It’s that time of year again where we sit back, turn on Spotify and try to pick the best of the best. Luckily, this year was extra hard to pick favorites. There is no doubt that 2016 was one of the worst years imaginable, however, the music made up for all the shitty memes, horrible presidential debates, endless celebrity deaths, and political family drama. So while my headphones can’t block out the fact that we have an orange lunatic running our country, they can definitely make the wounds hurt less. So let’s get the ball rolling – Here are my Top 15 Albums of 2016.

• 15. 24K Magic [Bruno Mars] Simply put, the good songs are very enjoyable and the bad songs are tiresome. What makes this album a top 15 hit though, is the fact that it isn’t like anything else on the radio right now. The retro vibes, funky beats and Michael Jackson style vocals make Bruno completely stand out against all the other mainstream artists who are releasing music. However, with only ten tracks, I would expect the album to have less fillers and more exciting songs like Chunky, Versace on the Floor, and 24K Magic. Like I said earlier though, the good songs really put this album over the top. They are stellar.

  

• 14. Glory [Britney Spears] …And the comeback award goes to Britney Spears! Like damn. With the horrible predecessor Britney Jean, this album is quite the revival for Ms. Spears. From beginning to end, it features some serious bops and sleek anthems. With tracks like Do You Wanna Come Over, What You Need, and If I’m Dancing, Britney captures the audience with what seems like a new side of her. She seems much happier and more lively than in her previous albums. This happier version of Brit definitely makes the record feel more honest and personal. Although it didn’t make itself into the top 10, it was definitely my guilty pleasure when it came out. Being one of the biggest surprises for me this year, I found myself really enjoying this record.  If you haven’t listened yet, I would definitely recommend it – but prepare for your middle school self to awaken.

• 13. Lady Wood [Tove Lo] A solid sophomore album from Tove Lo; the prominent drugged up, sexualized pop star from Sweden. If you listened to her first album, Queen of the Clouds, you would know that she shies away from no topic. In case you didn’t understand the sexual innuendo in the title of the record, Tove Lo is all about embracing her sexuality – and damn did it produce a sexy album. With a funky production and some insanely unique lyrics, she went out of her way to outdo herself from her first record. This uniqueness is presented to us in one of her best songs to date: Flashes. In this track she places the listener in her dark, torturous side of fame. Along with some painful lyrics, you are given a pretty intense production break down at the end of the song, which only makes the track that much more peculiar. That song along with True Disaster and Keep It Simple are some of the highlights off the album. Tove Lo is a real underdog in the industry right now, so go ahead and spread some love her way, she’s worth the listen!

• 12. +30mg [Cruel Youth] +30mg is the first EP from the talented Husband and Wife musical duo: Cruel Youth. Formerly known as Natalia Kills, Teddy Sinclair teams up with her husband Willy Moon to create a twisted and demoralized tale of depression and love. With only 7 songs, it is easy to fall in love with every track. Hatefuck and Mr. Watson definitely take the cake for being the strongest songs on the album. The production on the two songs are crazy-good and Sinclair’s vocals can send shivers down anyone’s spine. The other 5 tracks on the album are still stand outs. With songs like the opening track Everything Was Beautiful or the hauntingly dark album closer Diamond Days, you really can’t go wrong. I’ve listened to this EP over and over again and it never disappoints.

• 11. Sit Still, Look Pretty [Daya] I may try to be an angsty teen on the verge of rebellion who only listens to underground indie music, but I’m not – I love myself some bubblegum pop. Daya is the definition of teeny bop pop and IDGAF what you think, I am going to jam out like a teenage girl when I listen to her. Whether it be the smash hit to-be, Love of My Life, or the girl-power anthem, Sit Still, Look Pretty, you can find me dancing around in my room half naked listening and singing along. On the other hand, however, you can find me getting real emotional listening to the power ballads, Back To Me and U12. Sure, this album might not be a critic’s wet dream but that’s not what it’s always about. Sometimes you just have to put on some catchy tunes and unwind. It should also be noted that this is Daya’s debut album, so call me impressed. I can’t wait to see what else she has in store!

• 10. This Unruly Mess I’ve Made [Macklemore & Ryan Lewis] Did you even know that Macklemore & Ryan Lewis released a full length LP this year? Probably not. That’s why this album is such a gem. This record has some of the greatest material of the year. Songs like White Privilege II and Light Tunnels are so candid and raw that it is like taking a journey through Macklemore’s life. With a typical sophomore album, you would expect the artist to try curve towards the mainstream, however, that is the exact opposite thing that happened with this record. You feel his honesty, his humility, and his humbleness. It’s refreshing to see artists writing music that matters to them instead of what will make them money. Macklemore & Ryan Lewis created an album that was meant to inspire and invoke new ideas to listener; it opened my eyes. Unfortunately, the record has some missteps and fillers which is why it’s only ranked at number ten, but don’t let that shy you away from giving it a listen. You won’t regret pressing play on this piece of art.

• 9. The Life of Pablo [Kanye West] Yeezus kills it again. This sporadic, insane, over-the-top, epic known as Life of Pablo is truly larger than life. Listening from beginning to end is like taking a step into the wild mind of Kanye himself. It’s tracks like Ultralight Beam, Waves, Wolves, FML, Facts, and 30 Hours that are so energetic and commanding that you almost feel a fire ignite inside of you; it’s that forceful. The production and the bizarre lyrics mesh together to create a monumental masterpiece of pain and power. It’s no secret that Mr. West writes every song with his raw passion for hip-hop; there is no shortage of that on The Life of Pablo. Whether it be the gospel enlightened Ultralight Beam or the shade filled Famous, Kanye still reigns as the Rap deity that will never be touched.

   

• 8. Dangerous Woman [Ariana Grande] Call her a donut licker, America hater, or a diva but don’t you dare say she can’t sing. This girl has some serious pipes and she’s not afraid to prove that on this high energy record. With this being Grande’s third studio album, it’s obvious that she still has it in her. Her dominant vocals mixed with some of the best pop production of the year blend together to create a radio station’s dream come true. It’s true, singles like Into You, Side To Side, and Dangerous Woman destroyed the airwaves because it’s everything anything wants in a pop song. Her songs may be a bit conventional but with her vocals and raw talent, she stands out against all of the other basic pop stars in the industry right now. It’s tracks like Greedy and Touch It that remind us that Ariana may be a “pop artist” but she has a voice like no other. In both of these songs, she produces these choruses that are so over the top that it’s almost like she forgot to turn the caps lock off… BUT IT WORKS!  Ariana crafted an awesome album here and it is definitely worth the listen even if you aren’t the biggest fan of hers. With a frickin’ awesome production, killer vocals, and distinguished features, Dangerous woman proves one thing: Talent Always Wins.

• 7. Wildfire [Rachel Platten] In this brightly lit, empowerment album, Rachel Platten takes the bull by the horns and shows the world just how talented she is. For myself, I felt like her goal in this album was to make the listener feel something. Whether that be inspiration, pain, heartache, or pure giddiness, Rachel achieves her goal.  It’s tracks like Stand By You, Fight Song, and Superman that can make anyone feel strong enough to climb a mountain. Or songs like Astronauts, Better Place, You Don’t Know My Heart and Speechless that make you feel nostalgic about a break up you never even had. Rachel gives the listener strong choruses with mesmerizing lyrics to create a piece of pop gold. It’s simplicity, it’s optimism, it’s strength and charisma are what make this album so satisfying to listen to. Every song is better than next and every word she sings is more empowering than the one before.  So yeah, blast this when you’re finishing your last mile, getting over a break up, driving the streets on a dark night, or even when you’re envisioning the first female president… There is an occasion for everything! This album is superb. 
  

• 6. Lemonade [Beyonce] Oh boy… It’s Beyonce time. It’s not a secret that Queen B is the popular girl in the school of pop music. But does her talent and artistry hold up against the hype? Usually I would say no, however, Lemonade is bad-ass album. Formation, Don’t Hurt Yourself, All Night, Daddy Lessons, and Freedom are the highlights on this rock solid workpiece. It seems as if Beyonce’s whole career was leading up to this album. With it’s controversial undertones and lyrics, an untamable production and insane features, Bey sets herself up to create one of the most honest and exquisite albums of all time. For example, songs like Formation and Freedom take a stand against the white supremacy in America while simultaneously embracing her Black Heritage. Tracks like Sorry and Don’t Hurt Yourself confront her husbands infidelity. Using her fiery passion, pain and betrayal as a weapon, Beyonce takes the listener on a dark ride down the road of unfaithfulness and prejudice. The album is a spectacle unlike any other. Its awe inspiring to see someone so idolized and unblemished like Beyonce, to be so vulnerable and powerless. Lemonade isn’t your run-of-the-mill pop album, in fact, I think it creates it’s own genre. It champions so many pop characteristics, yet, it’s myriad of amazing lyrics and unconventional R&B flairs make it stand out above other pop album releases of 2016. This record -this magnum opus- is the reason Beyonce is the reigning supreme in the music industry. She is truly a force to be reckoned with.

• 5. ANTI [Rihanna] Experimentation pays off on this Rihanna record. From a hauntingly beautiful cover like Same Ol’ Mistakes to a fervent club banger like Work, Rihanna is set out to prove her medley of songs is more than album, rather, a view of who she really is. From showing us her painful honesty in Love On The Brain to proving just how talented her vocals really are in Higher, this record seems to have a goal in creating a new image for Rihanna; a much darker Rihanna. There are so many tracks on this album that make you sit back and feel the emotions she is feeling. She somehow puts the listener in her shoes to feel her anger, her guilt, her pain, her lust, and even her happiness. Given that this is her eighth full length album, you can see her evolution from an early 2000’s pop star to a magnificent musician with soul. We see so many new sides of Ri Ri on this record; it’s really refreshing. This intimate pop/R&B mashup record is what we were all waiting for from Rihanna. We had seven albums of radio-ready/Top-100 songs, it was time for Rihanna to serve us some serious emotions and she didn’t let us down.

• 4. Starboy [The Weeknd] This sinful piece of artwork is the reason you never underestimate an artist. I’ll be the first to admit that until this year, The Weeknd, also known as Abel Tesfaye, flew under my music radar. Not anymore. A solid and well thought out record like this one cannot be overlooked – it’s a true spectacle. With the behemoth eighteen song track-list, you are sure to find at least one song that trips your trigger. False Alarm was the first track off this album that caught my attention. It’s deranged chorus of screaming and chanting is peculiar enough to capture your attention, however, it’s fast paced tempo and aura of mystery is what keeps you hooked. Other songs like Party Monster and I Feel It Coming are also complete ear worms. Both offer choruses that are out-of-this-world and lyrics that are intriguing and captivating. You also have tracks like Sidewalks and Die For You which are lyrical monuments – you won’t want to miss these standouts. Every track off this album is worth at least one listen, you won’t regret it. With a clean, fresh production from beginning to end, mesmerizing lyrics and Abel’s awe-inspiring smooth voice to top it all off, this album is stand alone masterpiece.

• 3. Oh My My [One Republic] I’ve rewrote this opening line over and over again in hopes of encapsulating how brilliant this album is and I simply can’t. When I press shuffle and listen to this album on repeat throughout the day, I want everyone to experience the same feeling I get when I listen to it but I know that will never happen. No words can express how good the chorus is on Let’s Hurt Tonight or what it’s like to feel the chorus of Kids rush through your ears and down your spine. I can’t convey the feeling I get when I listen to Born on max volume… or what it’s like to listen to Fingertips alone late into the night. I want the world to feel the energy I feel when I listen to Better… and I want the world to feel as audacious as I feel when I hear the guitar solo on A.I. (Artificial Intelligence).  I want to share these feelings through my writing but it’s just not possible. You can’t convey music with words, unfortunately. However, what I can say is that this record is a top three album for a reason, it’s near perfection. Frontman Ryan Tedder is exceptional vocally and the band behind him is close to flawless. Together they created an album that was meant to be heard by tens of thousands people on summer night in an enormous stadium. With anthems that are meant to be screamed and ballads that are meant to bring people together, Oh My My is a little piece of bliss.

• 2. Joanne [Lady Gaga] If any artist on this list has proved their talent the past couple of years, it’s Lady Gaga. Whether it be her inspiring campaign to end campus sexual assault with her song Till It Happens To You, singing one of the best Super Bowl national anthems ever, or slaying everyone at the 2015 Oscar Awards with her adaption of the Sound of Music soundtrack, she has shown the world she has an enormous amount of passion and talent. This album is no different, Joanne is an exhibition like no other. With it being a complete 180 from her previous album ARTPOP, Lady Gaga shows the world her softer side on this new record. Songs like Million Reasons, Sinner’s Prayer, Angel Down, Just Another Day, and Joanne showcase just how well she can pull off a ballad. Million Reasons, in particular, is a huge standout on this record. While simultaneously showing off her impeccable song writing skills and amazing vocals, Gaga gives us this stunning song about her connection and love for her fans. Don’t be mistaken though, this album isn’t just heart wrenching ballads. In fact, there are some really intense, high energy tracks. Songs like Perfect Illusion, Diamond Heart, and John Wayne are sure to pump anyone up. The first single off the album, Perfect Illusion, was our first taste of this delicious album. With this single, we are given a new side of Gaga; an adrenalized side. While it seemed like some fans weren’t ready for this new side of her, I was. Perfect Illusion was the lively, irate anthem that we all desperately needed from Mother Monster. This album is full of diversity; there are definite Country vibes, Rock inspirations, Hints of Pop, and whole lot of passion. Every time I listen to this album I have a new experience, sometimes it’s happy and sometimes it’s sad. For example, whenever I hear the song Grigio Girls, oddly enough, I think of my late Grandpa and how hard it was to see him go. Although that might sound sad, it’s far from. The song is about thinking about the happy times in someone’s life rather than dwelling on the sadness. What the song accomplishes is pretty unimaginable.  Whereas, when the Trayvon Martin inspired Angel Down comes on shuffle, I feel enraged. You can feel her anger in her voice and her lyrics; it’s truly transfixing. And Who am I kidding? When I listen to A-Yo I want to throw on a cowboy hat and throw a frickin’ party. Listen… Joanne isn’t your run-of-the-mill Lady Gaga album, and if you’re expecting that you might be let down. However, let me assure you that talent isn’t what you hear on the radio, it’s not that auto-tuned BS you hear on the iTunes Top 10, it’s in albums like these where artists start making music for the soul instead of the cash. Joanne is one the best albums of 2016 —- It’s truly a treasure. 
  

• 1. This is Acting [Sia] Sia has a talent like no other. She has the exceptional vocals, the amazing writing skills and a bit of mystery surrounding her. This Is Acting takes talent to a whole new level. Almost as if it’s a sequel to her previous work 1000 Forms Of Fear, this record follows her fear of love, debilitating anxiety, and never ending sadness. However, this isn’t a depressing album at all – it’s the exact opposite. She channels these feelings into powerful triumphs of healing. Personally, whenever I feel down, Sia is who I go to. It’s songs like Unstoppable that make me want to stand up and fight for my happiness. I repeat the same lyrics over in my head “I’m Unstoppable Today… I’m Unstoppable Today”. It sounds cheesy but the song is so powerful to me. If Sia can overcome her fears, standup in front of crowd and sing those lyrics, then I can wake up in the morning and say those words to myself in the mirror. Her lyrics are like strength to me. Bird Set Free, a track about freeing yourself from the cage you live in, along with being an amazing song, is a total inspiration to me. With lyrics like “I’m not gon’ care if I sing off key / I find myself in my melodies / I sing for love, I sing for me / I shout it out like a bird set free”, it’s so easy to see just how much soul and devotion she puts into her tracks. Sia places such prowess behind her words, it’s amazing. Every lyric, every part of the production, and every note she sings is breathtaking. Without trying to sound Melodramatic, I have to say that this astonishing Sia record is one of the best albums I have ever heard. It’s the strength, the confidence, the passion, and the assurance that I look for in music. When I go through difficult times in my life, I often turn towards music to fill that void. This Is Acting didn’t just fill that void, it gave me resilience. The spectacular amount of strength on the record made me want to be heard, to fight for myself and to be who I am. For one the first times ever, every single track on a record is one that I absolutely adore. Out of all nineteen tracks, there isn’t one song that I don’t care for. Each song holds a different meaning to me, whether it be The Greatest, Move Your Body, Broken Glass, House On Fire, Footsteps, or the radio hit Cheap Thrills, I relate to every single song. As much as I love Lady Gaga to death, this album came out at the perfect time for me. It’s the album that I needed. This Is Acting needs more than a review, it needs a listen from you. Enjoy. 
  

Art Angels// Grimes [Greatest Album of All Time?]

Greatest Album of All Time? Bold assumption, I know… Bear with me, though! I’m aware many of you have your own dogmas surrounding your favorite albums and won’t even think about letting a new album take your top spot but I urge you to try and read this with an open mind and hopefully give this album a listen. Overall, I’d love to prove to you that this 2015 album that was written, produced and performed all by the same artist deserves the top spot. Open mind people… Open mind.
If anyone knows anything about me, they know that I have a love for Lady Gaga like no other. I enjoy her material more than any other artist or musician and to have one her of many albums be my favorite was with no question, however, this Grimes album changed everything for me. Art Angels took my perspective and flipped it upside down. This is the type of album I have been waiting for for quite sometime and it took me awhile to realize it. I needed something to cleanse my music pallet– that is exactly what this amazing album did for me.
Before this record, I liked Grimes, however, she was nowhere near one of my favorites. Having her open for Lana Del Rey last year was my main introduction to her. I liked her a lot when I saw her but I quickly moved on to different stuff and kind of through her work aside. That was until a friend and I started listening to her album “Visions”. This album was definitely a meeting point for us. She liked grunge, I liked pop and oddly enough, “Visions” was unique and weird enough to fit both of our tastes in music. Being an album that both of us could jam out to, we quickly made grimes a go-to artist for our hangouts. When we heard about Art Angels coming out, we knew that we had to give it a listen, but being at two different colleges and hundreds of miles apart, it didn’t make it very easy. When the album came out in November, my friend and I chatted about it and we both had our doubts surrounding it. It was… different. Art Angels was nothing like Visions and we were both a little disappointed about that. This didn’t stop us from listening though. Slowly but steadily this album grew on me. More and more the tracks on this album became irresistible ear worms and were essentials on my Grimes’ Spotify playlist.
Listening to this album for months on end repetitively really made me grow fond of this piece of art. Every time I listen to this record from beginning to end (which is like every time I listen to it), I find new things that excite me and keep me listening over and over. I’ve never had this before with an album, it’s truly a breath of fresh air for me. Art Angels is considered “Synthpop” or “Indie” and rightfully so… This album is far from normal pop and doesn’t quite fit the bill for alternative so it had to find it’s own genre. Of course there are some songs that seem rather “Popish” like Flesh without blood or Pin but songs like SCREAM and Kill V. Maim are some of the farthest things from pop that Grimes has ever done. This album is all over the place but in a good way- refreshing almost. Regarding the genre of this album, the conclusion I have come to is that anyone, no matter their taste, will find something enjoyable about this album.

Let’s take a run through the track list with a track by track review!

The first song on this record Laughing but not being normal is a short 1:48 seconds but don’t let that question the quality of the song. This almost 2-minute track is bright, strange and such a unique song to start such a unique album with. The simple production matched with the high pitch of Grimes’ voice is such a nice pairing.

“I wanted to make a song that is so uncool that no cool hipster people would like it.” Is how Grimes explains her second song on Art Angels, California. Unique? Yes! Uncool? Hell no. California is one of the best songs on the album and is the farthest thing from not being cool. The twangy chorus mixed with the fun production makes this some of Grimes’ best work and really shows her versatility. Being that this song is at the front of the track list, it really gives you a taste at how animated and flavorful this album will.

Oh SCREAM… Being one of two songs that has a feature with another artist, this song is far from normal. Aristophanes and Grimes team up on this track to create an out of this world song that blurs the lines between sanity and psychosis. I mean it- this song is whacked. I can guarantee that all of you who are reading have never even heard of Aristophanes as she is an underground Taiwanese rapper, which makes this song all the more recherché. The rapping mixed with the extreme production and of course the many overlaying screams during song makes this the weirdest song on the album. Weird is good though, so throw this song on your playlist and hold on tight because it’s a crazy one.

PS. Don’t expect to understand a single word because it’s all in Taiwanese.
The fourth song on this album, Flesh Without Blood is the most mainstream song of Grimes’. The album at this point (if you’re listening from beginning to end) is starting to get bizarre so this piece is a nice break for your ears. Even though this song is mainstream and rather popish, it is still a lot of fun to listen to and personally one of my favorites on the whole album. If this is the first song you listen to off this record though, don’t expect the rest of the album to follow in it’s track, you’ll be disappointed.

Belly of the Beat is the fifth song on this record and is something idiosyncratic for grimes. It is upbeat yet relaxing at the same time. It’s hard to explain this song because it is so peculiar and odd… but I like it a lot. Instead of focusing on her voice or the production of this track, it’s far easier to focus on some of the lyrics residing in the chorus. The reason I say this is because the song has a rather upbeat and happy motive about it, however, the lyrics seem twisted and distorted in a way that is hard to display in writing.  This song is a fun listen to and I urge you to give it a listen for yourself so you can see what I am saying.

The next song on the track is a true spectacle and an obvious standout on this album. Kill V. Maim is probably not a song you want to start your Grimes listening experience with though, as it is rather unconventional and eccentric. The song is one that builds up gradually until the chorus completely blows up in your ears. When picturing this song, it can only be described as a unpredictable rave song. It’s easy to get lost in the big production or her tempting high-pitched voice which is something to remember when jamming out to this track. Get your glitter and strobe lights ready folks, this song is your chance to use them.

Here comes my favorite song on the album (maybe even of all time): ART ANGELS. This song is almost as if you’re in a dream. Being such a vivid and rapturous track, it’s almost as if my ears are begging me to never stop listening… No exaggeration. I’m not just saying that because the song is so good- it’s because her voice works remarkably well with the production that it almost creates a euphoric experience. The overlaying vocals encompassing the track and her soft vocals clinging to your ears make this something out of this world- Heavenly almost.

Easily is the eighth song on this album and it is a nice comedown from the previous three songs that were rather intense. Her soft vocals and the easy-going chorus make this a song that you can easily (No pun intended) sit back and listen to. Relaxing and fresh is a nice way to put this track. Being a rather fluffy song in a sharp and edgy album, it is breath of fresh air for your ears. I like this song a lot, however, it doesn’t reflect the album much as it doesn’t hold some of the same qualities that Art Angels truly embodies.

The ninth song on Art Angels is one that really grew on me after awhile. It’s fun chorus and catchy harmonies form a curious song that is definitely one for the books. Pin is the title but don’t overlook it because of it’s little name, this song has a lot of heart packed along with it. The track is bright and airy with it’s production along with being extremely catchy. This song, along with Flesh Without Blood, are some of the most mainstream pieces of work that she has created. Who doesn’t love a good mainstream track though? Seeing that the album is pretty dark, this is a nice song to listen to brighten your mood.

Realiti follows Pin on the track list and they contrast off of each other very nicely. Both being very upbeat, Realiti is much more acute and fits the sound of Art Angels a little better. This song was released as a demo before the album was even announced to fans. That being said, this song has been touched up a bit since then and thus, becoming more produced to fit the album’s overall sound. A lot of people look at this song as one of the better tracks on the album and I would agree. The chorus is E X T R E M E L Y catchy. Dare I say it… Radio Friendly??? For Grimes, this song is really stepping out of the box.

As the album begins to wind down, Grimes pulls a beautiful song out of her hat: World Princess II. Probably the best production on the entire album, this five minute track is a knock out of the park. The heavy beat makes this an easy song to bop to and an even easier song to get lost in. The vocals are so crisp and high pitched that it blends perfectly with the big production.  I really enjoy this track- it’s such great song to start winding the album down with, not to mention that the chorus is really enjoyable and catchy!

The second and final feature on this album, Janelle Monáe, makes her appearance on this track: Venus Fly.  This is a very fun song, however, if you’re a die-hard Grimes fan, this one probably isn’t one of your favorites. It takes more of Janelle’s style rather than Grimes’, which can be nice but I don’t know if it was a right pick for this album. I think it would have been a great promotional single for the record but it doesn’t exactly feel like Art Angels to me, unfortunately.

Life in the Vivid Dream is the second to last song and does not disappoint at all. This short 2 minute track is nothing short of a piece of art. The lyrics are beautifully written along with dramatically vivid vocals and a soft but strong production. There is no dancing to this song though, it is a rather somber song with a rhythmic storm and rain shower gracefully hitting the back of the track. This short song is easy to listen to many times over- it’s very nice and I would recommend for sure.

The final song off this album, Butterfly, taps off the album splendidly. It is done in a way that lets her voice compliment the instrumental almost effortlessly. Butterfly is a nice example as to how diverse Art Angels is as a whole. It is strong, empowering and exotic all in one song which is why this was the perfect song to sign off with. Grimes killed it with this track.

The album as whole is something else, something inspiring, something like a story that needs to be told. I find myself, months after the album’s release, still listening to it. Art Angels is a masterpiece. Sure, other albums can be considered the same but this record struck a cord with me. It gave me a reason to give every artist a chance. It showed me the power in music and the idea that I should never turn away from unfamiliarity! Art Angels will be a classic hidden in the shadows of the mainstream world and I’m okay with that because popular doesn’t always mean quality. Thank you Grimes for this beautiful album- A treasure.

Some unique lyrics from the album:

“Everybody dies, we cut out their eyes and we dance like angels do
Breaking our name in a world that feigns some knowledge of you” [Belly of the Beat]

“Angels will cry when it’s raining
Tears that are no longer clean” [Life in the Vivid Dream]

“Kiss me with a big knife, fighting hard off paradise
Led him like a soldier, beats in line, must be nice” [Pin]

“If I stare into the darkness, I won’t know where I am
I haven’t seen the daylight since I started giving in
My eyes are falling heavy, my feet are moving slow” [World Princess II]

“The things they see in me, I cannot see myself
When you get bored of me, I’ll be back on the shelf
And when the ocean rises up above the ground
Baby I’ll drown in” [California]

“Oh, the fire it’s all right
Cause we can make ’em all go crazy
We can make ’em wanna die
Oh, the fire it’s all right
The people touch it
I can’t touch it
Even though it’s mine” [Kill V. Maim]

 

 

Top 10 Best Pop Albums (2000-2016)

Pop is a mysterious genre of music and gets a lot of flack from many music enthusiasts. But why? Most will say that it’s manufactured, formulated and down right generic. I care to disagree, however. As a lover of music, I see the pop genre as one of the most creative and influential in all of the genres of music. Yes, often it does get repetitive and reductive but when it is done right, like the following albums, they can be some of the most influential albums of all time.
~So here it is: The Top 10 Best Pop Albums (2000-2016).

• 10. Emotion [Carly Rae Jepsen]– Okay, okay, okay, I know… Carly Rae Jepsen. Some look at Jepsen as if she is the worst thing to ever happen to pop music. Man, do I disagree. This album is truly a joy to listen to. Whether it be the incredibly poppy opener “Run Away with me”, the slow “Gimmie Love”, or the 80’s retro pop banger “Boy Problems”, this album is a gem. It deserves a spot on this list because of it’s brilliant blend of 80’s and modern production. Every thing about the production of this track is something to praise. The opening horns of “Run away with me” scream classic 80’s pop and the modern bop of “Favourite Colour” makes this album very memorable and easy to return to. From beginning to end, this spectacular track is one of the most unforgettable pop albums in recent years. While this is probably one of the most underrated and unheard-of albums on this list, I urge you to give this a listen.
  Standout tracks: Run Away With Me, Emotion, Gimmie Love, Let’s Get Lost
  Release: June 24, 2015

 

• 9. Animal [Ke$ha]- Ke$ha’s debut album is one for the books. The pop girl branded on her sleazy antics and crazy lifestyle destroyed the radio in 2009, 2010, 2011 and gave a new meaning to the dollar sign. This album is iconic- plain and simple. “Tik Tok”, the first single off the album is what really put Ke$ha on the map. As much as we tell ourselves we hate the song, we know we love it and will jam out to it when we hear it on the radio. That’s how I would explain the whole album- unexplainably catchy and dirty which makes us come back for more and more. The singles to follow “Blah Blah Blah”, “Your Love is My Drug”, and “Take it off” were also all radio smash-hits and catchy ear worms. No doubt the singles were catchy but it’s the songs that were never singles that really make this album one of the best of our generation. Songs like “Party at a Rich Dude’s House” which make you feel the need to get up and dance, or the song “Dancing with Tears in my Eyes” the emotional dance track that deals with her recent relationship f*** up, or even the heartfelt title track “Animal” about being yourself and embracing your insecurities are all notable non-singles which really bring this album to a whole other pop-level. There is no reason to wonder why this track consumed the speakers of your radio for so many months on end, it is a fantastic pop album with a lot of memorable songs.
  Standout tracks: Take it off, Animal, Blind
  Release: January 1, 2010
• 8. Teenage Dream [Katy Perry]- One thing that makes this album so good is that every song seems to be made for the radio. Each song seems so polished that it is very easy to listen to the album from beginning to end. There are many singles from this track and most of them did very well on the charts. “California Girls”, “Firework”, “Last Friday Night”, and “E.T.” are some of the most notable. When I think of pop music gold, I think of this album. The production is done very well and  works really well with Perry’s voice and lyrics. One single that enjoy a lot on this album is the title track “Teenage Dream”. Nothing is like driving down the highway in in the summer with the windows rolled down jamming out to this song. It is a true summer jam that makes you get up off your butt and dance like no one is watching. Katy Perry has had many successful albums but none have the success this album holds and it’s easy to tell why- it’s a great album! Although not a single, another song that is well done is “Peacock”. While subtle (okay maybe not), this song is dirty. “I wanna see your peacock, cock, cock, your peacock, cock!” Dirty or not, this is a bop. Katy has never been known to use explicit language in her song, so this is a fresh sound that really throws this album over the top. Just like Peacock, this album is fun and is really well done for an artist like Katy Perry.

  Standout Tracks: Teenage Dream, Peacock, Who am I Living for?
  Release: August 24, 2010

• 7. Pink Friday [Nicki Minaj]- Call her what you want but Nicki Minaj is POP. Pink Friday is something made of rap meshed with pop meshed with psycho dance music. That being said, I’m in love with this album. While Nicki Minaj’s albums that followed this were stellar, this one tops them all. Nothing can beat classic Nicki. While she was featured in many songs before she dropped this track, Pink Friday was Nicki’s debut album. This album wasn’t a huge success at first until songs like “Moment 4 life” and “Super Bass” were released as singles. As those songs emerged, so did her Massive success. With “Super Bass” being 2011’s summer smash, Nicki Minaj flew into the pop scene almost over night and theres a reason for that. “Super Bass” was something fresh for the pop scene, it totally changed the game. While her singles on this track were awesome, it’s what wasn’t popular that really made this album one of the best our generation. “Romans Revenge”, the best song on the album and probably one of the best in her career is truly remarkable. The song embodies Nicki’s persona and really gives her the Bad Girl image that she has been riding for sometime now. With the song being over 5 minutes long, it is a rap/pop masterpiece. With “Romans Revenge” being a true work of art, the album is very similar. Nicki killed it on this track and there is a reason she is still popular.
  Standout Tracks: Did it on em’, Romans Revenge, Fly
  Release: November 19, 2010
• 6. Love, Angel, Music, Baby [Gwen Stefani]- If you were alive in 2004, you know this album and the iconic singles that reside in it. Lets start off by saying that “Hollaback Girl” somehow shaped all of childhoods by teaching us how to spell “Banana”… “This shit is bananas, B-A-N-A-N-A-S”. Heck yeah, Gwen was the first pop girl to really get me interested in pop music. While “Hollaback Girl” is the most iconic single of our generation, the album also had some other major hits that had us strutting around our imaginary runways. “Rich Girl” and “Bubble Pop Electric” to name a few. This album is what pop dreams are made of and is truly worthy of the massive success it received. The No Doubt front-woman really put her best work into this album and you can see with the production and the quality of the songs. Gwen Stefani not only changed the pop game with this album but she made the game her bitch. Do yourself a favor right now and turn this album on because you are truly in need of some hardcore nostalgia. Thanks Gwen for this piece of ART.
  Standout Tracks: Hollaback Girl, Rich Girl, Serious
  Release: November 12, 2004
• 5. Good Girl Gone Bad [Rihanna]- Bad Girl Ri Ri gave herself a name with this record and I’m glad she did because the music industry would be forever different without her. From her previous two albums, Rihanna gave herself a completely different image. Sure this record seems like a long time ago, some songs like “Disturbia”, “Shut up and Drive”, “Don’t stop the music”, and “Umbrella” make this track timeless. This is by far Rihanna’s best album and I don’t think many people would disagree with me. Some of her best work is unravelled through her tracks from beginning to end. A true pop fan like myself has to have a lot of respect for this album because it has some major songs that will forever be some of the best pop bops ever. Let’s chat about “Disturbia”… Being one of the best songs off the album it really gives that dark and twisted attitudes that Rihanna has used on albums to follow this one. From the beginning of the song to the end, it is an honest dance track that will undeniably make you twist and turn in ways you never thought you could. “Umbrella” was another single off this record that made big waves on the radio and the charts. “You can stand under my umbrella (Ella ella eh eh eh)” is probably the most catchy tune that she has ever used and once it enters your ears, there is little chance it is leaving your head anytime soon- that’s something Ri Ri does very well in this album. Bravo girl, this record is something to be remembered.
  Standout Tracks: Disturbia, Umbrella, Take a Bow, Rehab
  Release: May 31, 2007
• 4. The Fame Monster [Lady Gaga]- You can’t think of pop music without thinking of Mother monster: Lady Gaga. This EP introduces the top 4 albums that are so iconic that they should really have their own list. I mean it, this album is what made the 2009-2010 music era SO. DAMN. GOOD. Every song on the track list out does the other. The opening song “Bad Romance” is one Gaga’s biggest hits and it honestly deserves all of the success it got. The lengthy 5 minute song is something to be remembered… “Bad Romance” isn’t the only standout though, songs like “Alejandro”, “Monster”, “Teeth” and “So Happy I could Die” are so sexy and dark that it made Gaga show how are different she was from other pop stars. Stefani Germanotta made Gaga a household name and somewhat forced other artists in the pop genre to change their style to keep up with her antics and music style. This album is a short 8 tracks and it doesn’t disappoint in any way. From the opening note to the final note, this record is one of the most superior albums ever made. The main producers on this album are RedOne and Gaga and they really put out one of the best pop productions I have ever heard on a mainstream record. With this being her second album, Lady Gaga showed people that she is definitely not a force to be reckoned with.
  Standout Tracks: Bad Romance, Speechless, Telephone, Dance in the Dark
  Release: November 18, 2009
• 3. Blackout (Britney Spears)- It’s Britney Bitch. The first words to roll out of Britney’s mouth on this album are some of the most iconic words ever said on a mainstream pop record. The first song being “Gimmie More” really sets the tone for this album. Her life is being controlled by everyone but her- the song symbolizing how everyone is using her without ever stopping to wonder how she’s feeling. This album was shortly released after Britney’s head shaving adventure and multiple public break downs. With that being said, the following song, “Piece of Me” really embodies the idea that she just wants to live her life without the Paparazzi intervening. Probably one of my favorite pop songs… EVER, “Piece of Me” is some of the best material she has ever released. It gave Britney a new image (that she probably didn’t want) of her being a good girl gone bad. With the drama going on in her life going public, it just made the album that much more real. This album wasn’t about being fake or materialistic, it was Britney going through a horrible part of her life- and you can see that in her music. Fortunately, however, this part of her life made her music raw and realistic- people believed what she was saying in her lyrics. Other songs that were big on the radio were “Radar” and “Break the Ice”, both were big for her and really made the album what it is today. This record is awesome and is some of her most creative work she has ever done. Just like Britney, when this album was released, it snatched my weave and made me go bald.
  

  Standout Tracks: Gimmie More, Piece of Me, Everybody, Freakshow
  Release: October 25, 2007

 

• 2. I AM… SASHA FIERCE (Beyonce)- This album birthed some of the best singles to ever be played on the radio. Queen Bey showed us all how much of an amazing artist and diva she is on this track. The album is the greatest dance track in quite some time which makes this album rank so high on this list. Whether you know the songs on this album or not, you can still dance to almost every song because it is done THAT WELL. Okay, let’s get back to the stellar singles. The first four singles she dropped are some of her best pieces of work she has ever released. The first being “If I were a boy” a slow melody with some of her greatest lyrics: “If I were a boy// I think I could understand// How it feels to love a girl// I swear I’d be a better man”. This song is so easy to sway to and really enjoy. Also, it is way to effortless to just get lost in her heavenly voice. The next single: “Single Ladies (Put a Ring on It)”… Need I say more? If you don’t know this song, I’ll just assume you have lived under a rock your whole life. For real though, the iconic dance and music video that went along with this track really put it over the top as being one of her best songs ever. Everyone and their mothers knew the dance and would work it whenever this smash came on the radio. The third single, “Diva”, is what really ties this album together. Being such a good bop and dance track, this song is more than fun to listen to, it is a spectacle. “Diva” is probably one of the most underrated tracks on this entire album which is a shame because it really is Beyonce in her most fierce and stunning form- it’s amazing. The fourth and I final single I will reflect on is “Halo”. This song, like “Single Ladies (Put a Ring on it)”, was a huge hit on the radio and the charts. Unlike the previous tracks on the album, this song meshes a ballad-like melody with a strong and soulful power pop song. When listening to this song it’s almost irresistible to not belt your lungs out and sing at the top of your lungs. Beyonce killed it on this album and there is no denying that… So go on, turn on this record and throw it back because we all know that late 2000’s Beyonce is the best Beyonce.

  Standout Tracks: Single Ladies (Put a Ring on It), Diva, Sweet Dreams, Hello
  Release: November 15, 2008

  1. The Fame (Lady Gaga)- Don’t confuse this with number four, this album is much different and slays even more. This album represents the beginning of Gaga’s successful career as a risqué pop artist and it truly changed the pop game forever. This album had so many chart toppers that it’s almost impossible to mention them all in this review, not to mention the songs that were never made singles. Let’s start off by talking about the song that blasted her to fame: “Just Dance”. This single is really what pop hits are made of. Catchy chorus, fun production, and an all around amazing dance track. Gaga selecting this track as one of her first singles is really what made her so famous: “Just Dance” is the perfect, radio friendly song. The song that followed, “Poker Face”, was an even bigger success. Radio stations played this song so much that it was almost engrained into everyone’s head for good. It was just THAT GOOD. The production was bomb, the chorus was killer, and the lyrics were mysterious. It seemed as if no one actually caught what the song was really about, so I will fill you in. The song represents her bi-sexuality and her attraction to women. While somewhat of a norm now, in 2008, this was a risky move. All in all, however, it paid off very well for her causing this track to be one of the biggest songs in the summer of 2008. The next smash single was “Love Game”. This not-so-radio-friendly song was a huge on the radio and had kids getting their mouth washed out with soap for months on end… But man was it worth it. This song is dirty, sexy and all around a blast to sing along to. The lyrics like: “Let’s have some fun// this beat is sick// I wanna take a ride on your disco stick” were so sleek and dirty that it was impossible to not sing them over and over and over again. Good times. The final single off this track “Paparazzi” is one of the best songs Lady Gaga has ever released. Whether you are talking about the lyrics and subject matter of the song, the awesome production, or even her vocals, it is all good. This song didn’t chart as high as the others (although, still a big song), this song was really a change for pop music. This wasn’t about getting drunk with friends, dancing in the club, or some new sex position… This song was dark, it followed her fear of the world forgetting her, the media portraying her in poor light, and the dark side of fame that everyone fails to mention. The music video and her live performances of this song are some of her best pieces of art she has ever done- it’s really what made me the fan of hers I am today. This song changed the way I looked at her. This album proved that she wasn’t some average pop star with mediocre lyrics and vocals, no… This album showed the world that she was indeed a threat to every other pop star and artist out there. She was Lady Gaga and she was ready to become the biggest artist of our generation. Yaaaassss Gaga, Slay Mama.

  Standout Tracks: Paper Gangsta, The Fame, Paparazzi, Poker Face
  Release: August 19, 2008

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